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Detailed Description Lithium powered PA. C/w charger, lanyard and carry bag Brief The Micker Pro is a microphone with a in-built speaker and amplifier. Very portable weighing just 300 gms, it is a portable sound system that operates by battery and incorporates a high quality microphone.    Perfect for classrooms and small lecture rooms, small gatherings indoor or outdoor, and tour guides. You don't have to raise your voice at all to convey your message to the audience.   Portable All-in-One Mic - 10W -  - Freq. Response: 200Hz ~ 15KHz ± 2dB- Approximately 6h with built in 7.4V 1100mAh Li-ion Battery (internal)- Charging time: 2,5 hours (DC 5V 1A USB C type)- Charging cradle, DC5V 1A USB C cable(main body)- Batt: Internal 7.4V 1100mAh Li-ion Battery- 300g / Length 26cm (Main body)- Micker pro main body, Pouch, Strap, Charging Cradlle

Intimidator Spot 255 IRC Intimidator™ Spot 255 IRC is a feature-rich moving head spot fitted with a 60 W LED. This power-packed member of our Intimidator family enhances any event and brings out the best in any application. Using it generates a synchronized light show in Master/Slave mode with built-in automated programs. Other features include built-in effect macros and move-in-black capabilities, selectable pan and tilt ranges, electronic dimmer, split beam with 3-facet prism, easy-access gobo door for quick gobo changes, and sound activated programs. Control this effect wirelessly with the optional IRC-6 remote. The Intimidator™ Spot 255 IRC fits best in the CHS-40 VIP gear bag.   FEATURES Feature-packed moving head spot fitted with a 60 W LED to enhance any event or application Beams always remain on the dance floor using the built-in, innovative Totem Mode Set, save, and recall 1 scene manually directly from the full-color LCD display Link up to 4 fixtures to create eye-catching, synchronized shows in Automated or Sound modes Simple navigation and a full text readout with the full-color LCD screen Convenient, wireless non-DMX control using the optional IRC-6 remote Split the beam and cover a larger area with the 3-facet prism Quickly and easily change gobos using the easy-access gobo door Project light where you want it with user-selectable pan and tilt ranges Minimize programming time with built-in effect macros and move-in-black feature Save time running cables by power linking multiple units Fits best in the CHS-40 VIP Gear Bag SPECIFICATIONS DMX Channels: 8 or 13 DMX Connectors: 3-pin XLR Pan and Tilt: 540°/270° Pan and Tilt Ranges: 540°, 360°, 180° pan/270°, 180°, 90° tilt Colors: 8 + white, split colors, continuous scroll at variable speeds Gobos: 7 + open,rotating, interchangeable, slot-n-lock, continuous scroll at variable speeds Gobo Size: 24 mm outside, 20 mm image, 1.1 mm max thickness Light Source: 1 LED (white) 60 W (2.3 A), 50,000 hours life expectancy Strobe Rate: 0 to 20 Hz Beam Angle: 15° Illuminance: 10,420 lux @ 2 m Power Linking: 6 units @ 120 V; 10 units @ 230 V Input Voltage: 100 to 240 VAC, 50/60 Hz (auto-ranging) Power and Current: 98 W, 1.4 A @ 120 V, 60 Hz Power and Current: 95 W, 0.8 A @ 230 V, 50 Hz Weight: 12.6 lb (5.7 kg) Size: 8.3 x 9.1 x 13.2 in (211 x 232 x 337 mm) Optional Controllers: IRC-6 Approvals: CE

Bright and bold! Be your best with X! Intimidator Spot 375ZX is a feature-packed compact moving head designed for large events. 200 watts of lighting power are just the start of the robust and convenient options on board. Along with a color wheel updated with CTO technology, Intimidator Spot 375Z X has a built-in RF receiver for wireless control allows use of the RFC or RFC-XL optional remotes putting unprecedented moving head control options in the palm of your hand without having to aim the remotes at the unit. And Intimidator Spot 375Z X is not only energized, it’s motorized! Motorized zoom is on board and is perfect for short or long throw applications and project crisp gobos from nearly any distance with the motorized focus too! A brand new home position allows for smoother programming, eliminating the need for full head rotation to start lighting looks. Dual rotating prisms split the beam for great effects and cover a larger area. Set, save, and recall 1 scene manually, directly from the full color LCD display.

Highlights




Compact moving head designed for large events


Built-in RF receiver for wireless control using the RFC or RFC-XL optional remotes


New home position allows for smoother programming


Dual rotating prisms split the beam for great effects and cover a larger area


Motorized zoom for short or long throw applications


¼-turn hanging bracket allows for single or dual clamp mounting options


Project crisp gobos from nearly any distance with the motorized focus


Beams always remain on the dance floor using the built-in, innovative Totem mode


Set, save, and recall 1 scene manually, directly from the full-color LCD display


powerCON®-compatible power input/output connections saves setup time


Fits best in the Intimidator Road Case





Specifications



DMX Channels:9 or 15
DMX Connectors:3-pin XLR
Pan and Tilt:540°/270°
Pan and Tilt Ranges:540°, 360°, 180° pan/270°, 180°, 90° tilt
Colors:7 + white, split colors, continuous scroll at variable speeds
Gobos:7 + open (6 metal + 1 glass), rotating, interchangeable, indexing, slot-n-lock, continuous scroll at variable speeds
Light Source:1 LED (cool white) 200 W, (16 A), 50,000 hours life expectancy.
Strobe Rate:0 to 20 Hz
Lumens:7,161
Power Linking:4 units @ 120 V; 8 units @ 230 V
Input Voltage:100 to 240 VAC, 50/60 Hz (auto-ranging)
Power and Current:354 W, 3.1 A @ 120 V, 60 Hz337 W, 1.6 A @ 230 V, 50 Hz
Weight:27.2 lb (12.4 kg)
Size:12.7 x 8.7 x 18.3 in (322 x 220 x 466 mm)
Approvals:CE, UKCA, RoHS, MET
Gobo Size: : 24 mm outside, 20 mm image, 1.1 mm max thickness
Prism: 5-facet linear, bi-directional at variable speeds
Prism: 6-facet round, bi-directional at variable speeds
Zoom Angle (motorized): : 10° to 23°
Illuminance (10°) : 36,801 lux @ 2 m
Illuminance (23°) : 21,115 lux @ 2 m
Color Temperature: 15,000 K
Optional Controllers: RFC, RFC-XL

WHAT'S INCLUDED

Fixture
Power cord
Hanging bracket
Quick Reference Guide

Rogue R2X Spot Rogue R2X Spot offers incredible value with a stunning range of colors and effects, all supported by professional quality engineering. Rogue R2X Spot builds on the features of the R1X Spot by adding gobo-morphing technology and two variable scrolling color wheels for an unlimited number of shape-changing and split-color effects. Rogue R2X Spot uses a powerful 300 W LED light source in a 16.5° beam angle for a brilliant light that creates an unparalleled audience experience.   FEATURES Intense 300 W LED light engine for punchy, bold beams Perfect gobo morphing between gobo wheels Two color wheels with 7 colors, split color ability, and continuous variable speed scrolling Two gobo wheels: one fixed slot scrolling wheel and one rotating, interchangeable, scrolling wheel Iris, 3-facet prism, and frost for beam control Beautiful 16-bit LED dimming for ultimate fade control Neutrik® powerCON® power input/output connections for power linking 3- and 5-pin DMX input/output connections RDM enabled for remote addressing and trouble shooting Selectable LED maximum output to match legacy Rogue R2 Spots Selectable PWM settings to maintain flicker-free operation on camera Simple and complex DMX channel profiles for programming versatility SPECIFICATIONS OPTICAL Light Source: 1 LEDs (CW) 300 W, (8.7 amps), 7,836 K, 50,000 hours life expectancy CRI: 72 Beam Angle: 16.5° Field Angle: 16.5° Illuminance (total): 9,187 lux@ 5 m Selectable PWM: 600 Hz, 1,200 Hz, 6,000 Hz, 15,000 Hz DYNAMIC EFFECTS Pan and Tilt: 540°/250° Pan and Tilt Ranges: 540°, 360°, 180° pan/250°, 180°, 90° tilt Colors (1): 7 + white, split colors, continuous scroll at variable speeds Colors (2): 7 + white, split colors, continuous scroll at variable speeds Gobos (1): 7 + open (7 metal), rotating, interchangeable, indexing, slot-n-lock, continuous scroll at variable speeds Gobos (2): 8 + open (8 metal), continuous scroll at variable speeds Gobo Size: Gobo Wheel 1 (rotating): Positions 1, 2, 3, 4, and 7 (metal); size: 28.8 mm (outside), 23.8 mm (image), 0.5 mm (max. thickness) Gobo Size: Gobo Wheel 1 (rotating): Positions 5 and 6 (glass); size: 27 mm (outside), 24 mm (image), 3 mm (max. thickness) Framing Shutters: No Dimmer: Electronic Shutter/Strobe: Electronic Focus: Motorized Frost: Motorized Iris: Motorized Prism: 3 Facets, motorized, rotating Strobe Rate: 0 to 22 Hz Standalone Color Mixing: No Color Temperature Presets: No Move-in-Black: Yes CONSTRUCTION / PHYSICAL Dimensions (single unit): 16.1 x 13.5 x 19.25 in (409 x 343 x 489 mm) Weight (single unit): 47.8 lb (21.7 kg) Exterior Color: Black Housing Material: High-impact flame-retardant polymer CONNECTIONS Power Connection: Edison (local) plug to Neutrik® powerCON® Power Input: Neutrik® powerCON® Power Output: Neutrik® powerCON® Data Connectors: 3- and 5-pin XLR Cable Length (power): 5 ft (1.5 m) CONTROL Control Protocol: DMX, RDM DMX Channels: 18 or 21 Modes/Personalities: 2 personalities (18, 21) ELECTRICAL Input Voltage: 100 to 240 VAC, 50/60 Hz (auto-ranging) Power Linking: 3 units @ 120 V; 6 units @ 208 V; 7 units @ 230 V Power and Current: 517 W, 4.31 A @ 120 V, 60 Hz Power and Current: 427 W, 2.05 A @ 208 V, 60 Hz Power and Current: 437 W, 1.9 A @ 230 V, 50 Hz Breaker Size: F 7A, 250 V CERTIFICATIONS / QUALIFICATIONS CE, MET IP Rating: IP20, dry location Temperature (Ambient): -4 °F to 113 °F (-20 °C to 45 °C) WHAT'S INCLUDED Rogue R2X Spot Neutrik powerCON power cord Omega bracket with mounting hardware OPTIONAL ACCESSORIES Professional Clamps: CTC-50HC, CTC-50HCN Safety Cable: SC-07 DMX Cables powerCON extension cables

Speaker Stand Set with Transport bag - Set composed of 2 x black aluminium speaker stands  and one transport bag.   Product type Stands and Tripod Accessories Weight 0,35 kg Colour Black Material nylon Width 1140 mm Height 220 mm Depth 150 mm   Type Speaker Stands Tubing material aluminium Weight 1,925 kg Tubing colour Black Tubing surface Powder coated Min height: 1250 mm Max height 1950 mm Transport length 1040 mm Joint material plastic Tubing diameter 41/35 mm Max. load 25 kg

XS 1 has been designed for first-time and casual users who appreciate simplicity, upfront vocal presence in the mix, and no complications. This versatile new microphone provides professional live sound for those getting started, thanks to its great feedback rejection and silent mute switch for flexibility and control. XS 1 comes in an all-metal housing and therefore is a reliable companion on any stage. As a singer, presenter, or entertainer, you can count on the renowned Sennheiser live sound. All you need to do is: Raise your voice. Overview Raise your voice. XS 1 is your backstage pass to great sounding vocals and speech. Sennheiser’s new wired dynamic cardioid microphone is the perfect fusion of excellent live sound and easy handling. Features XS 1 dynamic cardioid vocal microphone Microphone clamp Transport bag Quick guide What's in the box? XS 1 dynamic cardioid vocal microphone Microphone clamp Transport bag Quick guide Technical Data   DimensionsØ 48 x L 180 mm  ConnectorXLR -3  Frequency response (Microphone)55 - 16,000 Hz  Transducer principledynamic  Pick-up patterncardioid  Nominal impedance300 Ω (at 1 kHz)  Min. terminating impedance1 kΩ  Sensitivity1.8 mV/Pa (free field, no load at 1 kHz)  Weight w/o cable330 g (0.73 lbs)

MR18 18-Input Digital Mixer for iPad/Android Tablets with 16 Midas PRO Preamps, Integrated Wifi Module and Multi-Channel USB Audio Interface iPad*/Android* tablet controlled 18-input digital mixer for studio and live application 16 award-winning Midas PRO microphone preamplifiers Built-In Tri-Mode Wifi router for direct operation—no need for external routers 18 x 18 channel, bidirectional USB2.0 interface Dugan*-style Auto-Mixing automatically manages microphone gain sharing 4 digital signal processing effects engines ULTRANET connectivity for P-16 Personal Monitoring System* Rack ears and protection bumpers included for flexible rack and onstage applications 6 aux and main LR buses with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ 6 XLR aux outputs and 2 XLR main outputs plus phones connector 40 bit floating point digital signal processing Free iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFi MIDI In/Out allows controlling the mixer via MIDI equipment or for use as a USB MIDI interface Future firmware updates, incl. new FX “Plug Ins”, downloadable from midasconsoles.com free of charge Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. MR18 The MIDAS M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music. A Mixer Whose Time has Come Over the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR18 is an 18-input/8-bus portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 16 award-winning MIDAS PRO mic preamps, integrated Wifi module for wireless control, MIDI I/O – and a multi-channel, bidirectional USB Audio Interface. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the same freedom to dial-in their personal monitor mixes. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR18. 16 MIDAS PRO Mic Preamps The MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 – and has been recognised by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR18 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning – for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR18 comes equipped with 16 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches. Built-In Tri-Mode Wifi Router Designed for the ultimate in mobility, the MR18 comes with an integrated Wifi module for direct control of your mixer’s functions – without the need to setup and configure an external router. The MR18 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective – or better yet, let them mix their own IEMs and floor monitors via their own tablets. Access Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone/tablet or laptop). This mode should have your remote control up and running in less than a minute. Wifi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected. Alternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated Wifi router, e.g., for extended range or 5 GHz applications. Recording Simplified   The incredibly fast and comprehensive 18 x 18 channel, bi-directional USB interface makes the MR18 an amazingly powerful digital mixing solution for recording directly to your iPad or PC. Dial in the perfect monitoring mix with effects and zero-latency, while sending up to 16 source signals – and the keyboard player's MIDI notes to your DAW for recording and editing. Whether you are making rock history in the studio, or you want to capture intimate live performances – it has never been easier to record stunning tracks with exceptional clarity.       Revolutionary Auto-Mixing When your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics – and preserve maximum gain and priority for the moderator. A major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 16 live microphones. Based on the legendary Dan Dugan automix system, the MR18’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation. This function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time. 4 Onboard M32 Effects Engines Equipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics – plus the MR18 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware. You can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR18 has a whole studio of FX under its bonnet. Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults. High-End FX Racks at Your Finger Tips   The immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.   The ultra-smooth optical attenuator is closely modeled in our LEISURE COMPRESSOR. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*) When Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.     Our digital reincarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.   Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M/S operation. (Inspired by Fairchild 670*)   The COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.   The XTEC EQ1 emulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)   Put simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)     The new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...   The EDISON EX1 is the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I/O modes allow the processing, or creation, of Mono/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)   The SOUND MAXER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)   The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)   MODULATION DELAY combines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.     ENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*)   EXCITERS increase presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)   Unlike typical graphic EQs, our STEREO TruEQ delivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR18 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.   VINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)   PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*)     The 3-TAP DELAY in the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.   The HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L*) The Lexicon 480L* has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L*)   This handy dynamic FLANGER & DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)   WAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)   The STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics*)     The DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219*)   Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that will not drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)   Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*) 100-Band RTA for all Channel/ Bus EQs   The MR18 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time – capturing a sonogram window of a full 10 seconds. Switch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves – and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!           16 Channels of Personal Monitoring   The easy way to send sound, Behringer's propriatary ULTRANET connectivity allows you to send 16 digital sources over a lightweight and easyto- deploy Cat 5e cable to P16-D Digital ULTRANET Distributors, or directly to P16-M Personal Monitor Mixers. This powerful and advanced technology makes it easy for individual performers to create their own “more me” mix – and frees you to put on your best show. ULTRANET also provides the perfect conduit for sending your mix to the new TURBOSOUND iQ Series loudspeakers, which can tap into the 16-channel digital bus directly.     Uncompromised Channel Processing   The MR18 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it! Every input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 – with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets – or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually "unlimited" dynamic range with no internal overload and near-zero overall latency. In addition to the Main L/R bus for Front of House, 6 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording – complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.           MIDI In/Out for Live Performance Controllers   The physical MIDI I/O port on the MR18 mixer can also be used for connecting external MIDI controllers, such as BEHRINGER's X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.     Dedicated Apps and Software ֠All Platforms Covered   Since we wanted the MR18 to benefit from the best remote apps, we engaged dedicated development teams for the iOS*, Android*, and PC/Linux/Mac* based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX "Plug-Ins", and functionality.   M AIR EDIT (PC/Mac/Linux)   If your application requires a computer for MIDAS M AIR mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) – and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing – letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer – both live and in the studio. Download the free M AIR EDIT software from midas.com.     M AIR MIX for iPad   Front of House is wherever you and your iPad are – thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the MIDAS M AIR mixer to Access Point mode and connect your iPad to the MR18 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to/from your iPad or customize your channel layout – all with the support of innovative drag 'n' drop functionality. Download the free M AIR MIX App for iPad from the Apple App Store.     M AIR MIX for Android   Designed specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on MIDAS M AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal – both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing/loading scenes or presets, and much more – whether you are running a 12" tablet or a 5" smartphone. Download the free M AIR CUE for Android App from the androidapps.com.       Superb Value The feature-packed MR18 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK – and MUSIC’s unique ability to deliver a superior value proposition. MR18's sound quality far surpasses that of competing models, both on paper and in performance. With 18 inputs, 16 MIDAS PRO mic preamps, 6 aux buses, a built-in Wifi router, MIDI I/O, a multi-channel bidirectional USB audio interface, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR18 is equipped to handle your most demanding audio application. Visit your local dealer and take a closer look at the M AIR MR18 Digital Mixer, or get yours online – today! < less We have you covered *iPad and Mac are trademarks of Apple Inc. Android is a trademark of Google Inc. Linux is the registered trademark of Linus Torvalds in the U.S. and other countries. All third-party trademarks are the property of their respective owners. Their use neither constitutes a claim of the trademark nor affiliation of the trademark owners with Music Tribe. Product names are mentioned solely as a reference for compatibility, effects and/or components. iPad and P-16 Monitoring System are not included. Warranty details can be found at musictribe.com.

Media Connection.
Samson’s MediaOne BT4 Active Studio Monitors are the ideal speakers for all your multimedia needs and feature the ability to connect to your smart phone, laptop or tablet via Bluetooth. Whether you’re listening to music, producing tracks, watching videos or gaming, these monitors provide dynamic and reliable audio. MediaOne BT4 monitors feature the highest quality components, a stylish new look and are packaged as a stereo pair.
Watch the MediaOne BT product video

 

 

 

 



 


 
 
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Speaker essentials
MediaOne BT4 monitors produce 20 watts per channel RMS and 40 watts per channel Peak of full-range audio. Their 4-inch copolymer woofers deliver a controlled low frequency response, while their 1-inch silk dome tweeters give the high frequencies a natural sound without unwanted noise. Each rear-vented, precision-tuned port enclosure is finished in an all-black satin vinyl covering with matching metal grills for the woofers and tweeters, assuring these monitors look as good as they sound.

Featuring Bluetooth… and more
Using Bluetooth, you can easily pair this system with your smart phone, laptop or tablet, and listen to your music, videos and other media applications through MediaOne BT4 monitors without wires. The Bluetooth pairing button can be found on the active speaker’s rear control panel, along with the system’s RCA inputs, passive monitor terminals and an AC power connector. In addition, the front panel houses an LED indicator, level control, as well as both a headphone output and stereo input. The 3.5mm stereo input can be used to connect secondary signal sources such as MP3 players, keyboards and more.

Music and production
With MediaOne BT4 monitors, you’ll bring the experience of listing to or producing music to a whole new level. Whether you’re listening to an iTunes playlist, streaming via Spotify or spinning a CD, your music will sound crystal clear and full of dynamics when pumped through these monitors. And you can control it all wirelessly via Bluetooth. In addition, MediaOne BT4s are perfect for integration into any music production setup, offering exceptional monitoring performance while tracking, editing and/or playing back a project.

Made for multimedia
When used with video applications, MediaOne BT4s and their Bluetooth capability make all the difference. With these pro-level monitors connected to your smart phone, laptop or tablet, the sound of YouTube, movies and live streaming alike will be impeccable and enhance your enjoyment of all your videos. And you can still experience the full-range sound of your videos in quiet environments by using the system’s VOLUME control knob and headphone output.

Game on
With the amount of attention being paid to the audio aspects of online gaming, MediaOne BT4 monitors will maximize the listening experience for gamers everywhere. Perfect for wireless sources, desktop setups, as well as gaming consoles. These monitors will make you feel like you’re in the game.

Providing dynamic and reliable audio reproduction with Bluetooth connectivity, Samson’s MediaOne BT4 Active Studio Monitors are the ideal speakers for all multimedia applications or wherever great sound is desired.

2-way active studio monitors with rear-vented, precision-tuned port enclosures (sold in stereo pairs)
Bluetooth connectivity to connect wireless music sources
4-inch copolymer woofers
1-inch silk dome tweeters
20 watts per channel RMS, 40 watts per channel Peak
Front panel LED indicator, level control, headphone output and stereo input
Back panel Bluetooth pairing button, RCA inputs, passive monitor terminals and AC power connector
AV shielded for multimedia applications
Passive crossover design for linear response from bottom to top
Sleek all-black satin vinyl finish
Metal grills protect woofer and tweeter components
Speaker cable included

A Desktop's Dream
The Samson MediaOne M50 Powered Studio Monitors are a full-range speaker solution for all your desktop and multimedia applications. Whether you're listening to music, producing tracks, watching videos or gaming, this stereo monitor pair features an internal amplifier, wood construction and high-quality components that bring big, balanced sound to your desktop space.

Sound Big & Balanced
Each MediaOne M50 monitor features a 5.25" polypropylene woofer that provides tight lows, complemented by a 3/4" silk-dome tweeter housed in a custom waveguide that adds smooth highs with a wide sound stage. The result is a system with a balanced frequency response and stunning full-range audio. Additionally, a Bass Boost switch allows users to enhance the lows.

Built from Experience
Based on Samson’s 20 years of experience designing professional studio monitors for recording studios around the world, the MediaOne M50s are powered by an internal 80-watt (40 watts per channel), studio-grade A/B amplifier to produce robust, detailed sound. Also, wood cabinet construction with rear porting ensures maximum efficiency and low response without mechanical power loss.

Multiple Connections for Multimedia
Connect a mixer, audio interface, computer or mobile audio device to the system’s rear stereo RCA and 1/8" inputs. A front panel headphone jack mutes the speakers for private listening sessions. In addition, a 1/8" (3.5mm) output allows you to integrate a powered subwoofer with the MediaOne M50s to create a 2.1 system.


Multimedia speaker system
Sold as stereo pair (one active speaker, one passive speaker)
Ideal in home studios for music playback, production, gaming and video applications
80 watts (40W per channel)
5.25" polypropylene woofers with butyl surround
3/4" silk dome tweeters
Crystal clear high-end performance
Exceptional bass response
Bass Boost switch
Stereo RCA and 1/8" inputs
Stereo 1/8" Sub and headphone outputs
Sleek all-black vinyl finish
Speaker cable included

Specifications

Amplifier: Class AB
Power Rating: 2 x 40W
Frequency Response: 50Hz–20kHz -3dB
Signal-to-Noise Ratio: 83dB
Distortion (THD): <0.9%
Input Impedance: 13KΩ
Product Dimensions (Each): 10.75" x 7" 8.25" (273mm x 180mm x 209mm)
Product Weight (Pair): 14.3lb (6.5kg)

Hurricane Haze 1DX creates a light water-based haze to enhance any light show. Easily set the DMX address and stand-alone operation using the digital display. The haze output speed can be adjusted in stand-alone mode using the digital display with no controller required.  A built in sensor helps prolong the hazer’s life by stopping the pump automatically when the fluid level is low.   FEATURES Compact and lightweight hazer creates a thin atmosphere to enhance any light show Built-in volume knob offers smooth, stand-alone operation Silent running fan allows the unit to be used in any environment Built-in digital display quickly and easily sets DMX functions, and haze stand-alone settings Small footprint allows the machine to be placed in any location SPECIFICATIONS DMX Channels: 1 DMX Connectors: 3- pin XLR Heat-Up Time: 2 min Input Voltage: 120 VAC, 60 Hz or 230 VAC, 50 Hz Power and Current: 188 W, 1.5 A @ 120 V, 60 Hz 188 W, .75 A @ 230 V, 50 Hz Weight: 7.2 lb (3.3 kg) Size: 11 x 6 x 9 in (278 x 150 x 223 mm) Approvals: CE Tank Capacity: 0.4 gal (1.5 L) Output: 800 cfm Fluid Consumption: 4 ml/min Compatible Fluids: HFG

B·Hype series aims to provide a professional yet efficient sonic performance to all kind of users, combining an extremely efficient CLASS D amplifier with aggressive sound pressure levels (up to 126,5 dB for the 15” cabinet), while delivering the most accurate sound reproduction.    The new B·Hype 15 is a versatile active speaker. It is equipped with one 1” neodymium compression driver (1” voice coil), and one 15” woofer (2” voice coil). The dispersion pattern is asymmetrical on vertical axis, and it is diversified (top and bottom) on the horizontal one. This allows a narrower and more efficient sound coverage, and a better performance in case of reverberant environments. The combo input (with source type selection) allows an easy and versatile use, suitable for a dynamic microphone and standard line input. The user can enhance lower and upper frequencies with the convenient DSP preset function. A balanced link output allows the audio connection to a second loudspeaker.  The featherweight cabinets (from 14 to 38 lbs) come with a clean and contemporary full grille design, enhancing both portability (3 handles -1xside and 1 on top-) and multifuncionality: each cabinet can be used horizontally as a stage monitor (on both sides) and features a pole mount cup in order to be used on tripods or stacked on dBTechnologies Subs.    Maximum efficiency up to 126,5 dB SPL Professional acoustic performance Innovative horn design for uniform and extended coverage Compact featherweight Clean and contemporary design enhancing portability 3 handles Double stage monitor angle Preset EQ Flat /Boost Technical Data Speaker Type 2-Way Active Speaker Acoustical data Usable Bandwidth [-10dB] 51 - 20.000 Hz Frequency Response [-6 dB] 57 - 19.700 Hz Max SPL 126.5 dB Type HF Compression Driver HF voice coil 1 " LF 15 " LF voice coil 2 " Crossover Frequency 2100 Hz (24 dB/oct.) Horizontal Dispersion asymmetrical 85° up / 120°down Vertical Dispersion 85° (+25/ -60°) Amplifier Amp Technology Custom Made Amp Class Class D - Passice cooling (convection) Power Peak 400 W Processor Controller DSP 28/56 bit- 48 kHz Limiter Peak, RMS, Thermal Controls Volume, Audio Input Sensitivity, DSP Preset Input Main Connection VDE Signal Input Balanced 1xCombo IN (MIC/LINE) SIGNAL Out (Balanced) 1xXLR OUT (LINK) Mechanics Housing Polypropylene Grille Full Metal Grille Handles 3 (2 on side 1 on top) Pole Mount 36 mm Width 415 mm (16.34 in) Height 725 mm (28.54 in) Depth 391 mm (15.39 in) Weight 17.4 kg (38.36 lbs) Angles Up Double wedge angle 45°

B·Hype M mixes the professional acoustic performance of the B·H family with the most advanced versatileness of a complete portable PA equipped with a wireless microphone system, audio media player with Bluetooth connection, SD card and USB port, a long lasting battery, wheels and a retractable top handle: all you need for a professional performance on the move. A perfect solution for travelling shows, busker’s show, nouveau cirque, spoken words acts, and all kind of performance set in outdoor or unconventional venues. The system is equipped with: one 1” compression driver exit and one 10” woofer. The input section allows the user to connect: up to three wired inputs, one wireless microphone, and different media inputs (including Bluetooth® ). Users can also connect the audio output to a second speaker. The control section is equipped with an equalizer and a CH1/RF priority function that attenuates the level of every channel but Channel 1 and the Radio microphones for a smooth automatic ducking effect. The sturdy and compact cabinet (only 12.5 kgs – 27 lbs) is equipped with wheels and 3 handles (1 per side and 1 retractable on the top). A 36 mm pole mounting also allow use on a speaker stand. B·Hype M is available in two versions: with handheld transmitter (B-HYPE M HT bundle) or bodypack transmitter (B-HYPE M BT bundle). Both are provided with wireless antennas.   PROFESSIONAL ACOUSTIC PERFORMANCE ON THE MOVE INTEGRATED WIRELESS MICROPHONE SYSTEM AVAILABLE WITH HANDHELD OR BODYPACK TRANSMITTER CH1/RF PRIORITY FUNCTION ON BOARD AUDIO MEDIA PLAYER SD CARD, USB AND BLUETOOTH CONNECTION UP TO 4 INPUT CHANNELS (3 IN +1 BLUETOOTH) COMPACT FEATHERWEIGHT INTEGRATED WHEELS PLUS RETRACTABLE HANDLE FOR SMOOTH TRANSPORT Technical Data Speaker Type Bi-amp battery-powered speaker Acoustical data Frequency Response [-10dB] 62 - 20000 Hz Max SPL 123 dB HF compression driver 1" LF 10" Dispersion 90 ° H x 45° H Crossover frequency 2400 Hz Amplifier Amp Class D SMPS Peak Power 190 Watt Special Features Digital battery charger, Battery management andpower saving functions User Interface 1x OLED Display with 6 keysfor media management Wireless Input 1x UHF diversity receiver,IR sync function Mic/Line Input XLR / 1/4" Jack Combo (Mic - Line) Stereo Input 2x RCA In + 1x mini-Jack USB Media Reader USB Type "A" port for media files(MP3-WMA-AAC) + SD card Bluetooth® Input 1x Bluetooth® receiver Mix Out 1/4” Jack (unbalanced) Volume Controls 4x rotative knobs(Mic/Line, Stereo In, Master, Media) Controls 1x Treble and 1x Bass Equalizers Indicators 2x LEDs (LIMITER, SIGNAL) Mains VDE Socket1x 3-position switch(On, Off, Recharge) Input Mains connection VDE Signal IN 1x Combo (XLR/TRS) balanced;1x stereo RCS;1xmini-Jack Signal OUT 1x TRS link Controls Master Volume, EQ (treble, bass), CH1/RF priority Media   Mechanics Housing Polypropylene PP Handles 1x side, 1 on top (retractable) Grille Full grille Width 300 mm (11.81 in) Height 568 mm (22.36 in) Depth 301 mm (11.86 in) Weight (without transmitter) 12.5 kg (27 lbs.)

In-ear monitoring headphones featuring SYS 10 dynamic transducer and 1.3m cable. Includes (1) IE 40 PRO black with 3.5mm jack, (1) soft pouch, (1) set of silicone ear adapters (S,M,L), (1) set of foam ear adapters (S,M,L) and (1) cleaning tool

The high expectations placed on in-ear monitoring are effortlessly satisfied by the IE 40 PRO thanks to an advanced dynamic driver system. The innovative diaphragm delivers a warm sound, yet powerful and precise, even in extremely loud environments. Even at maximum sound pressure levels, the signal remains distortion-free and precisely defined. The IE 40 PRO is a superior monitoring device for musicians and DJs that adapts to every ear. A compact design combines a secure fit with excellent wearing comfort. It’s robust construction is designed to be suitable for the rigors of stage use from the connection to the cable duct.
The IE 40 PRO improves the way you perform by enhancing the way you hear.
 

Innovative, dynamic 10mm broadband transducer for powerful, precise monitoring
Dynamic driver system reduces acoustic stress factors through homogenous, distortion-free reproduction
Secure fit and high level of wearing comfort; Innovative single driver design enables a slim and ergonomic construction
Excellent shielding thanks to optimized earpiece and flexible silicone and foam tips
Cable with innovative internal cable duct (patent pending), fit for stage use


 




 




 




 




 






Dynamic drivers of the next generation
Whereas most IEM systems use multi-driver solutions derived from hearing aids, the IE 40 PRO uses a next-generation dynamic single-driver. As it turns out, the frequency range does not have to be split up into sections but remains harmonious as a whole. It sounds “well-rounded”, and its frequency spectrum has been considerably expanded. There are no distortions because the special diaphragm – unlike the more rigid drive principle of the multi-way drivers – resonates easily even at maximum sound levels. Phase problems and dissonances in the inner ear are therefore also precluded. The difference is audible, even noticeable in the entry-level model.





Small but mighty. Comfortable.
A big sound, but small enough to fit your ear: the advanced driver system brings a considerably expanded sound spectrum to the ears of musicians, sound engineers and DJs. The design, on the other hand, has been optimized, checked against hundreds of ear shapes, and redesigned. The result is flat, sits securely and does not ‘carry any weight,’ even during lengthy sessions.





Reinvented down to the last detail
Without monitoring sound, there is no performance. The IE 40 PRO is designed to provide the necessary reliability. To this end we have even reinvented stage-compatible cabling – the internal cable duct is a unique feature (patent pending). In short: the new system meets high expectations and withstands high stresses.







 

The SP 5211 is a classic tripod speaker stand made of strong but lightweight aluminium tubing with black powder coating. It has a 50 kg load capacity and a maximum height of 195 cm. The redesigned, extremely durable mounting of the support feet is made of aluminium pressure die-casting. The steel cuff of the height adjustment is virtually indestructible and ensures additional stability. A safety stud locks the 35 cm, strong extension tube. The ergonomic buttons on the locking screws are made from highly-resistant ABS with a non-slip soft-touch coating made of thermo-plastic for convenient operation. The SP 5211 is delivered with an additional set of black coding rings; additional rings are available in many different colours for distinct personalisation. Specifications Product type Stands and Tripods Type Speaker Stands Tubing material Aluminium Tubing colour Black Tubing surface Powder coated Min height 1060 mm Max height 1950 mm Transport length 1050 mm Height adjustment Clamp with safety pin Material of height adjustment Steel Base type Leg joint Base material die-cast aluminium Tubing diameter 35 mm Max. load 50 kg Interchangeable rings 5 x 30 mm Black ring pack included Yes Weight 2,2 kg

This wall-mount hanger lets you put your headphones in easy reach. It features two convenient slots to keep your headphone cables neat and tidy. Specifications Product type Headphone Holder Material plastic , Steel Mounting Wall Colour Black Support width 60 mm Deck depth 100 mm Interchangeable rings no mm Black ring pack included no  

The U500® Series vocal sets were developed in Germany to bring you affordable professional technology and sound quality. The radio systems for vocals and speech deliver impressive performance and high reliability, which will certainly exceed your expectations. We have designed the range specifically for professional users to ensure that your performance is an impressive and emotional experience. Selectable transmit power up to 30 mW provides the U500® vocal sets with a free-field range of over 100 metres. They are available 655 - 679 MHz, where 12 systems can be operated simultaneously, The True Diversity UHF wireless systems are equipped with an automatic scan facility to find the best free frequency, and convenient one-touch infrared synchronisation of transmitter and receiver to facilitate easy set up. High-contrast OLED displays provide an excellent overview of functions, with indicators for group, channel, radio frequency, and signal strength and battery status. You can even enter individual usernames. In addition to the squelch function, the transmitter’s silent pilot tone ensures fail-safe operation. It protects against interference and mutes the receiver if signals without this tone are present. The U500®’s efficient technology and high-quality components provide clear, distortion-free transmission without latency or artefacts. Low power consumption means that the transmitter can run for up to 10 hours with 2 x AA batteries.   Product number: LDU506HHD2 Product type: Wireless Microphone System Accessories, Wireless Microphone Systems Type: Handhelds, true diversity, Microphones Modulation Type: FM Channels: 2 x 160, 96 (8 groups of 12 channels) Transmission frequency range: 655 - 679MHz Groups: 2 x 10 Microphone type: Dynamic Antenna inputs: 2 Directivity: Cardioid Antenna connector: BNC Frequency response: 60 - 16,000Hz, 60 - 16.000Hz Noise reduction: Squelch Rated HF output power: Variable (2mW, 10mW, 30mW) Signal-to-noise ratio: > 105dB Audio output, balanced: 2 x XLR Controls: Set, volume headphones, menu, Power On/Off Indicators: 2 x multifunction LC display, OLED Display, 2 x HF level A/B, 2 x audio level Operating voltage: 1,000 mA, 2 x 1.5 V AA, 13.5 V DC Audio mix output, balanced: XLR Audio mix output, unbalanced: 6.3 mm jack Operating time: >10 h (with alkaline batteries) Max. output level: symmetrical -8dBu Length: 252mm Headphones ouput: 1 Headphones outputs: 6.3 mm TRS Diameter: 52mm Weight: 0,25kg, 5,8kg, 2,05kg Other features: interchangeable capsule, switchable RF power, channel search function, switchable gain, IR frequency synchronisation, Pilot tone squelch, switchable gain Width: 483mm Height: 45mm Depth: 190mm Accessories (included): 2 x antenna, Power supply, Batteries

The dB Technologies Opera 10 1200W 2-Way 10" Active Speaker is designed with DSP processing, a Class-D amplifier, and a two-input channel audio interface. It can accept mic, line, or instrument signals and it is also flexible to both playback plus live-music applications.
The system is equipped with a powerful Class-D 1200 W Peak amplifier featuring advanced DSP processing where FIR filters allow the system to deliver consistent audio performance to the different listening positions.
The Opera 10 acoustic asymmetrical horn is optimised for efficient use in different indoor and outdoor situations. It can be installed on an optional speaker stand, or on a truss or wall using (separately available) brackets.
Key Features:
Sound Coverage
The horizontal sound coverage is differentiated between the value of 85° (upper part) and 120° (lower part), for an optimised sound emission during vertical installation in reverberate environments.
The overall 85° vertical opening is asymmetrical, to increase the horn's sound pressure at long distances. When mounting the speaker, take these data into account for calculating the coverage of an environment.
Amplifier Controls
This system is comprised of a Class-D digital amplifier that operates silently and does not require fan cooling. The system is controlled by a dedicated DSP that manages the different parameters.
Input and Output Controls
The dual-input section is equipped with selectable combo XLR-1/4" connectors on both channels. Channel 1 can accept mic or line-level sources and Channel 2 is suitable for instrument or line-level sources. The selectable XLR output offers a choice of a mixed out or ch-1 LINK for connection to a second speaker.
DSP Presets
The Opera 10 includes an 8-position DSP Preset rotary switch for the following options:

Club: suitable for medium-small indoor environment
Vocal: optimises vocal playback and performance
Bass Reduction: with attenuation of low frequencies, for use in reverberant environments
Playback: optimised for music playback (such as MP3 player)
Bass Boost: suitable to emphasise low frequencies
Wedge Vocal: to be used in monitor (wedge) position and vocal performance
Wedge Playback: to be used in monitor (wedge) position and playback of a music programme
Flat: to be set if no equalisation is required

For Installation Use
The Opera speaker can be installed on a tripod stand, coming as a standard option with a 1-3/8" diameter pole. The maximum allowed height between the speaker base and the floor is 62.9". With the installation of the DS-2S accessory, it is possible to use the Opera speaker directly on subwoofer provided with a pole cup.
The speaker can be wall-mounted or installed on a truss in the vertical or horizontal position with additional accessories and it is also possible to instal the speaker using eyebolts (all sold separately).


Specifications



Speaker Type
2-Way Active Speaker


Acoustical Specifications
 


Frequency Response (-10 dB)
58 Hz to 20 kHz


Frequency Response (-3 dB)
70 Hz to 19.6 kHz


Max SPL
128 dB


High Frequency Driver
1" / 2.54 cm Exit


Voice Coil Diameter
1.4" / 3.5 cm


Driver Type
Compression Driver


Horizontal Coverage Angle
Asymmetrical 100° (85° up / 120° down)


Vertical Coverage Angle
85° (+25° / -60°)


Horn
2000 Hz (24 dB/Oct.)


Crossover Frequency
2 kHz


Low Frequency Driver
10" / 25.4 cm


Voice Coil Diameter
2" / 5 cm


Amplifier
 


Amplifier Technology
Amp SMPS Power Supply Dual Range


Amplifier Class
Class-D


RMS Power
600 W


Peak Power
1200 W


Processor
 


Controller
DSP 56-Bit


AD/DA Conversion
24-Bit / 48 kHz


System Settings
Rotary Encoder (8 Presets)


Connectivity
 


Input
Ch1: 1 x Combo XLR-1/4" (MIC/ LINE)Ch2: 1 x Combo XLR-1/4" (MIC/ INST/ LINE)


Output
1 x XLR Male (CH1 LINK / MIX OUT) Switchable


Additional Product Specifications
 


Housing
Polypropylene


Grille
Metal


Handles
1 x Left Side1 x Top


Rigging Points
2 X M10 on Top1 x M10 on Back


Pole Mount
1-3/8" / 36 mm


Angle Adjustment
Monitor use 45°


Power Specifications
115 VAC, 1.6 A


Dimensions (W x H x D)
11.8 x 21.1 x 11.8" / 300 x 552 x 301 mm


Weight
27.1 lb / 12.3 kg

The OPERA 12 from dB Technologies provides exceptional power and a unique acoustic design combine in order to deliver a vigorous yet accurate audio performance, successfully adaptable to both playback and live music applications.
With the new OPERA series, dBTechnologies succeded once again in packing leading edge DSP processing, advanced design features and user friendliness in an unrivalled cabinet in its price range. Exceptional power and a unique acoustic design combine in order to deliver a vigorous yet pristine sound, successfully adaptable to both playback and live music applications.
Opera’s asymmetrical horn has been completely redesigned in order to obtain both an asymetrical vertical dispersion and a double horizontal dispersion, ensuring an optimized throw pattern.
The system is equipped with a powerful Class D 600 W amplifier featuring advanced DSP processing where FIR filters allow the systems to deliver a coherent audio performance, uniform and crystal-clear from every listening position.
Feautres

1200 W Peak Power
600 W RMS Power
Newly Designed Asymmetrical Horn
Advanced DSP With Fir Filters
2 Input Channels (Mic-Line/Mic-Instr)
Selectable Output Channel (Link Ch1/Mix Ch 1+2)
8 EQ Presets
Fresh Full Grille Design
Stage Monitor Use

Asymmetrical Horn
The new dBTechnologies asymmetrical horn design delivers similar effective coverage for smaller applications. The high-frequency horn is narrower on top to bundle sound and throw it over greater distances. It flares out at the bottom to achieve a wider pattern of throw. (This compensates for high frequency loss as sound travels further from the source) and distributes the signal more uniformly across all audience areas.
Multifunctional Housing
A multifunctional housing offers many placement options, for instance as a floor monitor, satellite speaker in combination with subwoofers or as a fullrange system on pole mounts.
Preset System
The opportunity of modifying the character and equalization of a speaker is a very important prerogative in adapting a speaker to multiple functions. The introduction of the Preset System in dBTechnologies' FM monitors enables to choose directly from the box the most adeguate equalization for the desired use, optimizing performances without the need of external processors. The management of phase, limiter and x-over will be modified automatically depending on the chosen set-up, preserving the internal acoustic equipment.
Specifications



Technical Data
 


Speaker Type
2-Way Active Speaker


 
 


Acoustical data
 


Frequency Response [-10dB]
52 - 20.000 Hz


Frequency Response [- 3dB]
67 - 19.600 Hz


Max SPL
129 dB


HF
1" Exit, 1.4 v.c.


Type HF
Compression driver


Horizontal Directivity
100° (85° up/120° down)


Vertical Directivity
85° (+ 25°/-60°)


Horn
Asymmetrical Horn


LF
12", 2" v.c.


 
 


Amplifier
 


Amp Technology
Amp SMPS Power supply dual range


Amp Class
Class D


RMS Power
600 W


Peak Power
1200 W


 
 


Processor
 


Controller
DSP 56 bit


AD/DA Converter
24 bit/48 KHz


System Presets
Rotary Encoder (8 Presets)


CrossOver Frequency
2000 Hz


Limiter
Peak, RMS, Thermal


Advanced DSP Functions
Linear Phase FIR Filters


 
 


Input
 


Signal Input
1xCombo (XLR/Jack 6.3 mm) MIC/Line1xCombo (XLR/Jack 6.3 mm) MIC/Inst


Signal Output
1x XLR Male (CH1 Link/Mix OUT)Selectable


 
 


Mechanics
 


Housing
Polyproylene


Grille
Full grille


Handles
1 on left Side, 1 on Top


Rigging Points
2XM10 on Top + 1x M10 on Back


Pole Mount
D36 mm


Angles up
Monitor use 45°


Width
350 mm (13.78 in)


Height
642 mm (25.28 in)


Depth
349 mm (13.74 in


Weight
14.3 kg (31.53 lbs)

MAUI 5 SAT BAGTRANSPORT BAG FOR LD MAUI 5 COLUMNS Made of abrasion resistant and water repellent ballistic 1680D nylon, the MAUI 5 column bag is designed for convenient transport and protection. It features a rugged heavy gauge zipper, an accessory compartment for cables etc. and thick 8 mm padding. The bag holds all three MAUI 5 column elements.  

M32C Digital Rack Mixer for Installed and Live Sound Applications with 40 Input Channels and 25 Mix Buses 40-input channel, 25-bus, 1U rackmountable digital mixing core for live and installed sound application 25 time-aligned and phase-coherent mix buses AES50 networking allows up to 96 inputs and 96 outputs Open architecture allows for future 96 kHz operation High-performance aluminium and high-impact steel structure 40 bit floating point digital signal processing 8 DCA and 6 mute groups 8 digital signal processing effects engines 32 x 32 channel USB 2.0 audio interface Built-in expansion port for audio interface cards or digital networking bridges MIDI In/Out for remote scene recall or controlling other MIDI equipment Optional wireless remote control with MIDAS Apps for iPhone* and iPad* Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in England M32C The 40-input, 25-bus M32C takes the brain of the flagship M32 Digital Mixing Console and packs it all into a high-performance aluminium and steel 1U form factor. Combine the M32C with our DL16 or DL32 Stage Boxes to effortlessly run sound with high I/O counts in multiple remote locations. Dual AES50 networking CAT5 connectors allow for up to 96 remote inputs and 48 output channels to be controlled from and processed by the M32C. All of this can be managed concurrently from various locations and instances via our free remote control software applications, M32-EDIT, M32-MIX, and M32-Q.   Above all, M32C is designed to put the power of digital in your hands, without compromise. MIDAS’ singular focus on a matchless value proposition means M32C integrates advanced features such as integrated personal monitor mixing and true high-speed digital audio networking as standard features. < less Built for Tomorrow The M32C is a console built for today, and tomorrow – its rock-solid proprietary operating system and the 0.8 ms audio engine provide outstanding state-of-the-art audio performance for years to come. “Acoustic Integration” - the Live Sound Revolution Legendary 40-year old British company TURBOSOUND, famous for producing some of the world’s best speaker systems, have teamed up with MIDAS to seamlessly integrate mixer and speaker systems. We call it “Acoustic Integration”.   The M32C’s ULTRANET bus allows streaming up to 16 channels of pristine digital audio to an array of TURBOSOUND iQ speakers – all on a single CAT5 cable, along with control data to set sound presets remotely.   Furthermore, iQ Series loudspeakers feature “True Physical Modelling” of some of the most popular speakers, which can be easily remote controlled via the M32C, allowing the sound engineer to apply different speaker models in real time from the comfort of the mixing desk.   “Acoustic Integration” is the next live sound revolution. < less 100-Band RTA for all Channel/Bus EQs The M32C includes a 100-band Real Time Analyzer (RTA) with full Bar and Spectrograph views on the M32-EDIT control application. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time - capturing a sonogram window of a full 10 seconds.   Switch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined view with the RTA view shown above each of the channel and bus EQ curves.   See the results of your filtering choices in the audio spectrum directly. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the FX rack.   Monitoring and controlling frequencies has never been easier! < less What are AES50 and SuperMAC? AES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry.   This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure. SuperMAC is a proprietary implementation of AES50 owned by KLARK TEKNIK. Originally developed by Sony Pro-Audio Labs in Oxford, UK, it forms the basis of the Audio Engineering Society’s AES50 open standard for digital audio networking – High Resolution Multi-channel Audio Interconnection (HRMAI), as published by the Audio Engineering Society, Inc. 48 bidirectional audio channels @ 48 kHz over Neutrik etherCON-terminated shielded (STP) CAT5 cable (max. length 100 meters / 328 feet) Single cable duplex interconnection for audio and sample clocks Ethernet physical layer audio data transmission High channel count and ultra-low deterministic latency (2x3 samples = 1/8 ms per node) Accurate phase-aligned clock distribution Comprehensive error detection and management Provision for redundant networking Minimal configuration - total ease of deployment and use Ethernet TCP/IP protocol-compatible auxiliary data channel < less Virtual Effects Racks   M32C includes an extensive array of onboard effects, rendering outboard processing racks a thing of the past. The Virtual FX rack features 8 true stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX modules including a range of reverbs, delays, EQs, dynamics and much more.   Each FX algorithm has been completely re-imagined for stunning performance – typically costing several times the price of the M32C.   Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32C mix engine, ensuring flawless performance, flexible routing and the end of cable faults forever! < less   The immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.   The ultra-smooth optical attenuator is closely modeled in our LA COMPRESSOR. It provides breezing, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*) < less   When Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented and the 1176 was one of the first audio processors to benefit from this new technology.   Our digital re-incarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model and authentically captures the smooth character of the original class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*) < less   The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.   Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M/S operation. (Inspired by Fairchild 670*) < less   The COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors.   A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum. < less     The XTEC EQ1 is undisputedly one of the best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement.   We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*) < less   Pultec simply wrote the book on passive equalization. By digitally “rebuilding” every aspect of the original Pultec classic, we captured the very essence in our parametric equalizer XTEC EQ5. Our digital re-incarnation is based on the original model and authentically emulates the smooth character of the its rather unique components. (Inspired by Pultec MEQ5*) < less   The new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing... < less   The EDISON EX1 is the re-incarnation of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of M/S recorded sound sources.   The SOUND MAXIMIZER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*) < less     The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to... more >   MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from.   The Lexicon 480L* has been recognized as the gold standard of digital reverb. We have included three of the finest reverb models – Rich Plate, Room and Rich Chamber. The M32’s models precisely capture all nuances based on our “True Physical... more >   EXCITERS increase presence and intelligibility in live sound applications and are indispensable for adding clarity, air and harmonic overtones in the recording studio. ENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable... more >   Our TruEQ STEREO GEQ delivers musical and responsive signal processing-perfect for general room equalization, indispensable for monitoring. M32 provides up to 16 mono graphic EQs, in addition to the multi-band parametric EQs in all channels and... more >     VINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in air and room resonances. Invented in the early ’80s, the role model delivered authentic room character from an... more >   PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950’s.... more >   The 3-TAP DELAY in the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of... more >   The HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound.... more >   This handy dynamic FLANGER & DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)     WAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)   The STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of “hot” signals to prevent clipping.... more >   The DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum... more >   Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t overpower your live or recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)   Occupying only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*) DCA Groups DCA (Digitally Controlled Amplifier) and Mute groups allow control over several signals at once without actually mixing them into a subgroup bus. M32C’s 8 DCA groups, and 6 Mute groups, let you control multiple signals via a single control, such as... more > You Are Connected Each M32C comes loaded with all of the digital connectivity and functionality you need, right out of the box. Onboard USB 2.0 connectivity delivers a full 32 x 32 channels of audio and MIDI to your DAW. Integrated multi-channel digital audio... more > POWERPLAY P16 Personal Monitoring System   Easy as a handshake. Plug the P16-M personal monitor mixer into M32C's ULTRANET port with a shielded (STP) CAT5 cable, and let the performer dial in the ideal 16-channel personal monitor mix. You can daisy-chain... more > DL16 Digital Stage Box   The MIDAS DL16 digital stage box closes the gap between stage and FOH (Front of House) by placing 16 fully-programmable, remotely controllable high-end MIDAS mic preamps and 8 analogue, balanced XLR returns at the... more > Real-Time Recording At the Heart of it All   The M32C forms the nucleus of an ultra-flexible studio control room setup when paired with DL16 I/O and POWERPLAY P16 Personal Monitoring Systems in each tracking room. The included 32 x 32 KLARK TEKNIK... more > Expansion & Networking Optional Expansion Cards The M32C’s expansion slot provides flexible and expandable connectivity for many different applications. A wide array of KLARK TEKNIK expansion cards can easily be used in place of the pre-installed DN32-USB card to release the power of M32C... more > DN32-USB Hi-Speed USB 2.0 Audio Interface for Professional Recordings   The DN32-USB Expansion Card ensures a stable and fast solution for professional live and studio recordings with 32 x 32 channels of audio and 16 channels of MIDI I/O. It... more > DN32-ADAT High-Performance 32-Channel ADAT Expansion Card for M32C   The DN32-ADAT Expansion Card allows you to digitally integrate your M32C with any equipment featuring ADAT I/O. This includes stand-alone recorders, digital audio workstations, and... more > DN32-MADI High-Performance 32-Channel MADI Expansion Card for M32C   The DN32-MADI Expansion Card brings even more I/O options to the M32C by instantly enabling it for MADI networking. The MADI, or AES10, protocol has become the industry standard for... more > DN32-DANTE High-Performance 32-Channel Audinate Dante Expansion Card for M32C   By installing the DN32-DANTE card in place of the DN32-USB card, your M32C will interface with Dante networks using virtually any 100Mbit/s or Gigabit Network... more > We have you covered

Lighting Stand large with TV Spigot Adapter Large lighting stand with crossbar and TV spigot adaptors (length 123 cm). Including set of 4 screws with washer, safety disc and wing nuts   Product type Stands and Tripods Type Lighting Stands Stand material Steel Truss material Steel Stand surface Powder coated Crossbar surface Powder coated Stand colour Black Crossbar colour Black Number of extensions 2 Min. height 1700 mm Max height 3500 mm Tube diameter 35 mm Transport length 1410 mm Max. load 45 kg Holding fixture for TV Spigot Yes TV spigot 28 mm Crossbar length 1230 mm Tiltable crossbar no Weight 9,16 kg