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EVERYTHING YOU NEED TO BE HEARD Get legendary sound quality with the EON208P all-in-one portable PA system, complete with an 8-channel mixer and Bluetooth audio. With a convenient suitcase-style design, the EON208P makes it easy to get great sound for performances, meetings and events. The 8-channel detachable mixer provides professional connections for mics, instruments and line-level sources, while the 8” two-way stereo speakers deliver best-in-class audience coverage. Bluetooth connectivity also allows you to stream audio from your mobile device. With 300 watts, you’ll have more than enough volume to be heard. Plus, the compact and lightweight form factor means you can carry the entire system with one hand.     PERFORMANCE   Legendary JBL audio quality and versatile operation make it the most sophisticated, easy-to-use portable PA.           BLUETOOTH   The detachable 8-channel mixer features professional I/O, thoughtfully designed controls and Bluetooth audio for best-in-class performance.     PORTABILITY   Compact and lightweight suitcase-style design allows for effortless one-handed carrying and simple setup.         PROFESSIONAL-GRADE MIXER   The 8-channel detachable mixer gives you the power and flexibility to sculpt your sound and be heard with stunning clarity at any venue. Simply connect your mics, instruments and other sound sources and start performing. The intuitive mixer helps you dial-in great live sound quickly and easily.            BLUETOOTH STREAMING   With Bluetooth connectivity, EON208P lets you stream audio from your mobile device. Now you can DJ a party right from the dance floor, or play pre-recorded material for your meeting, worship event, or health club—all without the hassle of wires.         PORTABLE DESIGN   EON208P puts professional audio within arm's reach—literally. The twin 8” speakers and 8-channel mixer clip together to form the most comprehensive, lightweight and portable PA in its class. Carry it in one hand with a guitar slung over your shoulder to play coffee shops and medium-size gigs. Or turn a backyard into the hottest nightclub around. With uncompromising JBL sound quality and effortless portability, you’ll want to take it everywhere. The versatile enclosures facilitate stacking, pole mounting and use in monitor position.           SPECIFICATIONS System Type:     Portable 2-way full-range loudspeakers with powered mixer Maximum SPL Output:  121 dB peak Frequency Range (-10 dB):          60 Hz - 20 kHz Frequency Response (+/-3 dB): 70 Hz - 18 kHz System Power Rating:    300 W (2x 150 W stereo) Output Connector:          2 x 1/4" TS (unbalanced) amplifier outputs Channels:            1-4: XLR/1/4" jack combo connectors, 5-6: one pair of 1/4" balanced TRS jacks (stereo), and one pair of RCA jacks (stereo), 7-8: one pair of 1/4" balanced TRS jacks (stereo), and a 3.5mm stereo jack Phantom Power               :               CH1 and CH2 have phantom power control and share the same selection switch Hi-Z Selection:   CH3 has a Hi-Z selection switch used for guitar signal input Mixer Output Connectors:           Monitor Out: one pair of RCA jacks (stereo), and one pair of 1/4" balanced TRS jacks (stereo), Headphone Out: 3.5mm stereo jack, Subwoofer Out: 1/4" balanced TRS jack Treble/Bass:       EQ: Per-channel high- and low-shelf filters; +/- 12dB cut and boost, System Limiter: On-board DSP limiting LF Driver:             1x JBL 8" (203mm) woofer HF Driver:            1x 1" Neodymuim black aluminum dome tweeter Coverage Pattern:           100° horizontal x 60° vertical Crossover Frequency:    2 kHz Crossover Type:               2-way passive network, 2nd order filters (12dB cutoff per octave) Suspension/Mounting: 36 mm pole socket, One handle on top Shipping Package:            575 mm x 775 mm x 400 mm （HxWxD） Net Weight:       17.6 kg

The Sennheiser E845 - Dynamic Professional Vocal Microphone is a high output performance microphone, offering power, clarity and projection. Extended high frequency response and supercardioid pick-up pattern for higher signal output, cuts through high on-stage sound levels. Smooth warm tonal response and full dynamic range, with presence lift for vocal clarity and projection. Consistent on/off axis and proximity response maintain sound quality while moving, providing greater on-stage freedom. The full metal construction and extensive suspension and shock-mounting minimize handling noise and signal interference. High output performance microphone, offering power, clarity and projection. Features: Rugged all metal body Exceptional feedback rejection Full dynamic range and smooth frequency response for excellent signal quality Consistent on-/off-axis and proximity response Very good rejection of handling noise Hum compensating coil Delivery Includes: 1 e 845 1 microphone clip 1 pouch Specifications: Transducer principle (Microphone): dynamic Pick-up pattern: super-cardioid Frequency response (microphone): 40-16000 Hz Sensitivity in free field, no load (1kHz): 1,8 mV/Pa Nominal impedance: 350 Ohm Min. terminating impedance: 1000 Ohm Connector: XLR-3 Dimensions: 46 x 185 mm Weigh: 330 g

More focus. More presence.
Maximum focus, enhanced presence: the e 845 delivers differences you can hear. Its expanded high frequency range creates space for demanding dynamics with a high signal quality. Vocals become more alive and sound wider and more open - even at different speaking proximities. Designed as a super-cardioid, the e 845 easily eliminates ambient noise. A reliable, easy-to-use companion for presentations, conferences, spoken word performance, choirs as well as rehearsal rooms and on stage.
The S-version of the e 845 comes with a noiseless on/off switch.
 


Dynamic super-cardioid microphone for speech and vocals


Extended high frequency range


Consistent sound quality (varying distances, moving off axis)


Handles high sound pressure levels


Optional silent on/off switch


Isolates handling noise, hum compensating coil


Excellent feedback rejection


Rugged metal housing









Specifications







Switch





Dimensions


Ø 46 x 185 mm






Connector


XLR-3






Frequency response (Microphone)


40 - 16000 Hz






Weight


Without cable:
330 g






Sensitivity in free field, no load (1kHz)


1,8 mV/Pa






Nominal impedance


350 Ω






Min. terminating impedance


1000 Ω






Weight w/o cable


330 g

Built by musicians, for musicians.
StudioLive® AR8 USB 8-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’® famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth® connectivity. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.

 
Buy Now








All of the connections and controls you need.
StudioLive AR8 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the two mono channels and two stereo channels includes level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get a monitor mix output with a dedicate bus for feeding a stage wedge, headphone amp, or in-ear system. Since the StudioLive AR8 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.
Learn more about the connections, preamps, and EQ.






Plug guitars and basses directly into the mixer.
Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.

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It’s inputs; it’s playback; it’s the Super Channel!
Our unique Super Channel (stereo Channel 7/8) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac® or Windows® PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!








Record in the studio or at the gig—with or without a computer.
Naturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR8 USB mixer to your computer via USB 2.0, and you have an 8x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!







Fly in backing tracks and play break music, too!
Both the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act, so we enabled the USB interface to play back two stereo streams through the mixer—great for backing tracks, click tracks, or program music. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don’t forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.

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Integrated software makes recording a snap.
PreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus’ Capture™ live-recording software, then edit in our award-winning Studio One® Artist DAW (recording and production software); both are included free.








Sweeten with digital effects for a polished, professional-caliber sound.
To get a great mix, you need high-quality effects. The StudioLive AR8 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor send, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It’s just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.






A complete solution that’s compact, easy to use, and built for the road.
Compact and built for the road, the StudioLive AR8 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer!










Make your own magic.
At PreSonus, we want to make sure that our audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That’s why we include Studio One Artist with every audio interface product we make. But here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it’s in that spirit that we also include the Studio Magic Suite of software with our audio interface products.
The 2020 Studio Magic is a major step up from the 2019 edition, and includes Ableton Live Lite, tutorials from Melodics, 6 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats... all unlocked for use inside Studio One Artist with a retail value of over $1000 (US).
 

 
Read more about Studio Magic
Content and terms of the Studio Magic Plug-in Suite are subject to change.

1-2-3-4, run, turn hip and jump

The C544 L high-performance head-worn miniature condenser microphone with an easily fitting headband is perfect for gymnastics instruction and other handsfree speech applications. A transducer shock mount reduces body noise to a minimum and the short microphone arm places the microphone in the right position to the mouth to minimize pop and breathing noise. A special moisture shield on the boom prevents the microphone from being clogged by sweat or makeup.
The C544 L comes with a three-pin mini XLR connecter which fits all AKG WMS Series body-pack transmitters. The package also includes a special windscreen.






General Specifications



TypePre-polarized condenser microphone
Polar PatternCardioid
Frequency Range80 - 20000 Hz
Sensitivity25 mV/Pa (U=9V, R=10kOhm)
Impedance @ 1kHz<200 Ohms
Recommended load impedance>2000 Ohms
Max SPL for 1% THD120dB
Equivalent noise level (IEC 60268-4)30dBA
Signal to Noise Ratio (@94dB SPL)63dBA
Recommended Serial Resistor10kOhm (2kOhm - 10kOhm)





Dimensions



Dimensions145 x 110 x 70 mm / 5.7 x 4.3 x 2.8 in.
Net Weight30g (1.1 oz.)
Shipping Weight200g (7.1 oz.)





Design



Finishmatte black





Audio Output



TypeMini XLR
GenderFemale
Contacts3-pin
Cable Length1.5m (5 ft.)





Powering Interface



Current Consumption<2mA (<500uA if U-9V, R=10kOhm)
Operating Voltage9V (2V - 10V)





Application



Sports / FitnessYes
Assisted ListeningYes
Sound ReinforcementYes
PresentationYes
RetailYes





Device



Headset MicrophoneYes

TASCAM TM80 Large Diaphragm Studio Condenser Mic TASCAM’s TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality.  Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio.  Microphone capsule assembly features an 18mm pure aluminum diaphragm Cardioid polar pattern Frequency response: 20Hz to 20kHz Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz) Phantom power requirement: 9 - 48V DC Output impedance : 200ohm +/-30% (at 1kHz) Load impedance : >1k ohm Max SPL : 136dB (at 1kHz=1% THD) S/N ratio : 77dB Housing : Die cast zinc Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)

48 channel / 36 bus digital mixer Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low

The JBL VMA Series is a cost-effective line of Mixer/Amplifiers with low impedance functionality (4&Ohm, 8&Ohm) and high impedance 70V and 100V output. They are designed with convenient and flexible features to be used by commercial integrators worldwide, ideal for emerging markets.FEATURES- 8 inputs with 2 outputs of 60-watts of power- Bluetooth streaming or MP3 playback via USB drive- Independent bass and treble controls for each output channel- 100V and 70V output, or 4&Ohm/8&Ohm- Paging Chime, and Priority muting- Works with JBL CSR-V wall controllers- Balanced mic/line inputs; RCA (.775V) inputs- Rack mounting hardware included   Max Output Power per Channel into 4 Ω or 8 Ω; 1kHz, ≤ 0.5% THD - VMA260: 60W VMA2120: 120W Insertion Loss (70V & 100V outputs) 1dB maximum Number of Inputs 8 Number of Outputs 2 Tone Controls (Bass and Treble non-detented potentiometers on each channel) Bass +/-14dB @ 50Hz; Treble +/-14dB @10kHz Input Sensitivity (to obtain full rated power into 8 Ω load) Mic Input: 5.5mVRMS Line Input: 1.3VRMS RCA Input (stereo in): 130mVRMS Frequency Response (measured at 2.83VRMS into rated load impedance at any output) 4/8 Ω Output: 20Hz - 20kHz, +/-2dB; 70V/100V Outputs: 80Hz - 15kHz +/-3dB Total Harmonic Distortion (THD) (measured at 2.83VRMS into rated load impedance at any output) Power Amp Output: 76dB Input Impedance (nominal) Mic: 400 Ω Line: 20 kΩ (balanced) RCA: 50 kΩ Phantom Power 27VDC Crosstalk (reference rated power, volume at mid position, 1kHz) -70 dB Nominal AC Line Voltages 100V, 120V, 220V, 220-240V, 50/60 Hz Minimum Load Impedance (Low Impedance Output, 70V Output, 100V Output) VMA260: 4 Ω, 80 Ω,160 Ω VMA2120: 4 Ω, 40 Ω, 80 Ω Operating Temperature/Humidity 0°C to 35°C @ 95% R.H. (non-condensing) Storage Temperature -20°C to 85°C Net Weight VMA260: 25.5 lb (11.6 kg) VMA2120: 29.3 lb (13.3 kg) Dimensions Width: 17.0 in. (432 mm) Depth: 16.3 in. (415 mm) Height: 3.5 in. (88 mm) Shipping Weight VMA260: 30.8 lb (14 kg) VMA2120: 34.5 lb (15.7 kg)

By combining years of innovation, invention and insight from HARMAN brands, JBL Commercial Series Amplifiers (CSA) go well beyond the expected in generating powerful sound.The efficient performance of Crown's DriveCore Technology continues to set new standards in commercial power amplifier technology.Simple to configure, the CS amp provides a DriveCore-based sound solution. This replaces up to 500 parts with one small chip, significantly reducing the part count and increasing reliability while maintaining superb performance.Supporting 70V and 100V installations out of the box, CS amps include RJ45 connectors for use with JBL CSR-V in-wall volume controls. And with HARMAN's GreenEdge environmental initiative, CS amps quickly pay for themselves in energy savings.FEATURES:- 1 or 2 channels X 300W output- Built-in 70V and 100V- Space-saving 2 RU design- Sleep mode disable function- Energy-efficient amplifier- Sleek industrial look with illuminated rings making knobs easy to see and use- Supports JBL CSR-V wall controller via CAT5 cable with RJ45 connectors

By combining years of innovation, invention and insight from HARMAN brands, JBL Commercial Series Amplifiers (CSA) go well beyond the expected in generating powerful sound.The efficient performance of Crown's DriveCore Technology continues to set new standards in commercial power amplifier technology.Simple to configure, the CS amp provides a DriveCore-based sound solution. This replaces up to 500 parts with one small chip, significantly reducing the part count and increasing reliability while maintaining superb performance.Supporting 70V and 100V installations out of the box, CS amps include RJ45 connectors for use with JBL CSR-V in-wall volume controls. And with HARMAN's GreenEdge environmental initiative, CS amps quickly pay for themselves in energy savings.FEATURES:- 1 or 2 channels X 300W output- Built-in 70V and 100V- Space-saving 2 RU design- Sleep mode disable function- Energy-efficient amplifier- Sleek industrial look with illuminated rings making knobs easy to see and use- Supports JBL CSR-V wall controller via CAT5 cable with RJ45 connectors

JBL Control-HST Wide-Coverage Speaker with 5-1/4" LF, Dual Tweeters and HST Technology™HST (Hemispherical Soundfield Technology™)Creates extremely wide listening space while eliminating the primary wall reflection that causes inconsistent sound from wall mount speakers.FEATURES:SPLAYED TWEETERSThe dual tweeters feature aluminum diaphragms with a CMMD treat, polyurethane surround, a neodymium magnet, and fluid-cooling for high output, low distortion and humidity resistance.WALL FACING WOOFERThe well-damped woofer incorporates a CMMD ceramic metal matrix diaphragm for a very high stiffness-to-weight ratio, high output, resistance to humidity and long-term durability.CONTROLLED SOUNDEngineered noise cancelling allows Control HST to provide a flatter resulting frequency response along with a more consistent sound character throughout the room.TECHNOLOGY:ELIMINATION OF WALL REFLECTIONThe patent-pending design includes a wall-facing woofer, two horizontally splayed tweeters, a wall bracket that spaces the speaker the required distance from the wall, and a tapered cabinet that provides proper loading and dispersion of the sound. With most on-wall (surface-mount) speakers, the baffle of the speaker is some distance from the wall. It is the nature of low and low-mid frequency sound waves to wrap around the speaker, where they reflect back out from the wall, recombining with the original sound. When this occurs, some frequencies add coherently to the original sound and other frequencies cancel, causing peaks and dips in the resulting frequency response and inconsistencies from location to location within the listening space. By substantially reducing this occurrence, Control HST is able to provide a flatter resulting frequency response along with a more consistent sound character throughout the room.

JBL 2.0 CH. COMMERCIAL ACTIVE SOUNDBAR

ALL YOU NEED TO GET THE MOST FROM YOUR PA. NOW WITH COMPLETE CONTROL FROM YOUR MOBILE DEVICE.
The DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx’s proprietary AutoEQ™ and AFS™ algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.
AUTOEQ™
New, improved AutoEQ algorithm ensures an extremely accurate, fast, and non-intrusive automatic EQ experience.
With the RTA Mic “listening” to your room, the new, updated DriveRack PA2 AutoEQ algorithm sets speaker levels and room EQ automatically in a matter of seconds. This means room adjustments can now be made very quickly, without subjecting the audience to annoying, lengthy broadcasts of pink noise.
ENHANCED AFS™ FEEDBACK ELIMINATION
Enhanced AFS™ algorithm for faster, more precise feedback elimination, without adversely affecting your system’s tone.
Nothing turns audiences away like annoying and potentially painful audio feedback. Fortunately, dbx engineers have revisited their already-stellar Advanced Feedback Suppression algorithm and made it work even better. The DriveRack PA2 listens for and anticipates feedback and adjusts speaker output automatically before it even has a chance, while never altering your sound.
UPDATED WIZARD SETUP FUNCTIONS
Updated Wizards make initial set up easy, while ensuring speaker tunings and other settings are up-to-date.
Wizard functions on the DriveRack PA2 guide you through easy, step-by-step processes to help you get the most from your loudspeaker system. Helps you easily configure level balancing, AutoEQ, Advanced Feedback Suppression, and provides access to built-in and constantly updating speaker tunings from most major speaker manufacturers.




AVAILABLE INPUT PROCESSING

dbx Compression
AFS™ (Advanced Feedback Suppression)
Graphic EQ
8-Band Parametric EQ (adjusted when using the AutoEQ)
Subharmonic Synthesis



AVAILABLE OUTPUT PROCESSING

Crossover (supports full range, 2-way, and 3-way systems)
8-Band Parametric EQs (used for speaker tunings)
dbx Limiting
Driver Alignment Delays 









Features





All New Setup Wizard
Streamlined AutoEQ™
All New AFS™ (Advanced Feedback Suppression)
Mobile Control (Android®, iOS®, Mac®, Windows®)
dbx Compression
Graphic EQ
8-Band Parametric EQ (adjusted when using the AutoEQ) Input
Subharmonic Synthesis
Crossover (supports full range, 2-way, and 3-way systems)
8-Band Parametric EQs (used for speaker tunings) Output
dbx Limiting
Driver Alignment Delays

There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx DriveRack products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues.The 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS).The DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus limiters (to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system and complete DriveWare GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. Features:- Feedback Elimination- 2.7 Seconds of Delay- RS-232 PC GUI control- Classic dbx Compression and Limiting- Graphic and Parametric EQ- Auto-EQ Function- Full Bandpass, Crossover, and Routing Configurations- Auto Gain Control- Pink Noise Generator and RTA- Setup Wizard with JBL Speaker and Crown Power Amplifier Tunings- Security Lockout- Wall Panel Control Inputs- IEC, UL and CSA ApprovalsClick here for Driveware Software and Firmware download pageThe latest firmware update is in addition to the System Setup Wizard changes that occurred in the last month that added the following devices to the DriveRack 260: Speaker SeriesJBL - MRX, PRX, VRXMackie - SRMPeavey - PV, PRYamaha - BR, C, SAmplifier SeriesCrown - XLS, CDi, DSi, XTi, I-Tech Peavey - PVQSC - RMX, PLX2Yamaha - PWith these additions the DriveRack 260 is able to create appropriate tunings for over 20 Million Speaker / Amplifier combinations!

Click here for design Form    Type a description for this product here...The Q-SYS™ Core 110f is the latest addition to the Q-SYS Core family, providing a solution for small, single room projects up to the largest Enterprise scale deployments. The continuity of the Q-SYS software based DSP platform the Q-SYS Core 110f to leverage all the features that are available across the entire Q-SYS™ Platform.   Features Class leading I/O: Core 110f has 24 I/O + USB, POTS and VoIP simultaneously offering the best cost to I/O ratio in a single SKU, single chassis product available on the market. 8 Flex Channels: Nearly all the flexibility of a card-based DSP solution without the hassle of multiple SKU’s and custom ordering. True IT Software Integration: The Q-SYS Software platform is a true IT integrative solution that is free of the fixed hardware limitations seen in competing products. It allows for greater functionality such as Layer 3 routing, LDAP contact server integration, SNMP monitoring, and more. Suite of Software-Based Conferencing Technology applications: Built and owned by QSC from the ground up allowing for continued refinement, without any additional hardware. The suite includes next generation acoustic echo cancellation (AEC), multiple-instance SIP softphones, gain sharing and gating automixers. Unified Software Platform: The integrator has a single training investment in one software design tool rather than needing to learn several platforms to scale from small to large systems.

The ZonePRO 1260m offers fixed I/O, pre-configured architecture, configurable insert processing and optional duplication of audio channels to another ZonePRO device via a link bus.
The 1260m features a total of 12 inputs and six outputs. Inputs include six balanced mic/line switchable terminal block inputs, four mono-summed pairs of unbalanced RCA inputs and one S/PDIF input for up to two digital channels. Hardware-controlled microphone gain allows adjustment of microphone gain per channel.
The 1260m device has a pre-configured architecture with input processing, a central matrix and output processing. Two input insert positions and one output insert position allow channel-specific insert processing to be configured. AutoWarmth®, a psychoacoustic function that maintains full frequency bandwidth even when the signal level has dropped, is permanentlyavailable on each output zone.
A link bus allows duplication of the first six audio channels to another ZonePRO device in applications where additional output zones are required.
The front panel of the 1260m features comprehensive signal metering, an informative LCD display and user-specified front panel control.
Additional system control is offered in the form of optional Zone Controllers. This collection of hardware wall-controllers represents a series of simple, elegant user interfaces for functions such as volume, source and preset control.
All ZonePRO devices can be controlled by third party control systems via RS-232 or Ethernet as applicable (see table for further information).
ZonePRO Designer—the configuration, control and monitoring software for the ZonePRO family of devices—offers control of the ZonePRO 1260m via Ethernet or RS-232. The Configuration Wizard within ZonePRO Designer guides users through the step-bystep configuration process of the 1260m.
Recommended for: Installed.



 
Features



12 Inputs / 6 Outputs
6 Balanced Mic/Line Inputs
4 Unbalanced, Mono-Summed RCA Input Pairs
S/PDIF Input
Microphone Gain per Channel
Pre-Configured Architecture
Two Configurable Input Insert Positions
One Configurable Output Insert Position
AutoWarmth® per Output Zone
Link Bus
Comprehensive Signal Metering
Front Panel LCD
9 User-Specified Front Panel Control
Optional ZC Controllers
Ethernet Control
Serial Control
Third Party Control
Wizard-Driven Configuration

The BLU-50 is a half-rack width processor that offers a fixed configuration of four inputs and four outputs, configurable signal processing, logic processing and BLU link. The device can be powered with the included 12VDC power supply but can accept 12-48VDC via a terminal block connector. The BLU-50 can also be powered with PoE+ via the Ethernet port, allowing the device to be powered, configured, controlled and monitored using a single Cat 5e cable. The analog inputs of the BLU-50 provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel. Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. The BLU-50 features BLU link, a low latency, fault tolerant digital audio bus of 48 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 10km (6.2 miles) using single mode fiber. The BLU-50 is configured, controlled and monitored from HiQnet Audio Architect&trade or HiQnet London Architect&trade and is compatible with other members of the Soundweb London family. Its 48 channel BLU link bus represents channels 1-48 of the larger 256 channel BLU link bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices. Up to 60 BLU link compatible devices can share channels on a single bus. As with other Soundweb London devices, 12 Control Inputs, six Logic Outputs and an RS-232 port allow the BLU-50 to be integrated with other compatible devices.KEY FEATURES:4 Analog Inputs (with 48v Phantom Power per Channel)4 Analog OutputsConfigurable Signal ProcessingRich Palette of Processing and Logic Objects48 Channel, Low Latency, Fault Tolerant Digital Audio BusClear Front Panel LED IndicationBi-Directional Locate Functionality12 Control Inputs and 6 Logic Outputs for GPIO IntegrationSoundweb London Interface Kit for Third Party Control System Integration (Documentation)HiQnet DeviceConfiguration, Control and Monitoring from HiQnet London Architect12-48VDC or PoE+ Powering Options (12VDC Power Supply Included)Rack Mount, Surface Mount and Desk MountInstallation Options  

Product Features






Designed to be connected to Headphone output from amp or mixer 

In-ear monitor belt-pack for personal monitor applications


High quality volume control


XLR input with locking mechanism


3.5 mm mini jack headphones connector


Convenient belt-pack clip included


"Built-like-a-tank", impact-resistant metal chassis


Designed and engineered in Germany






POWERPLAY PM1
Whether you’re a keyboardist, drummer, or any other musician whose performance keeps them anchored in one spot, the PM1 was designed specifically for you. A convenient hardwired personal in-ear control center, the PM1’s belt pack puts monitor control right at your fingertips, plus it’s lightweight, ultra-easy to use – and it doesn’t require a power source!









Volume Control
The PM1 features an extremely high-quality volume control for dialing in the perfect level every time. Designed for long life and super-smooth performance, this detented control stays where you put it.















 

In-ear monitor amplifier for personal monitor applications Ultra-compact and lightweight design High power and "drummer proof" headphones output XLR and TRS input connector with locking mechanism Level control with power on/off switch Stereo/mono source switch (internal) Runs up to 12 hours on 2 AAA batteries (not included) Battery control with LED indicators Integrated current limit protects your ears and headphone Convenient belt-pack clip included "Built-like-a-tank", impact-resistant metal chassis 3-Year Warranty Program* Designed and engineered in Germany POWERPLAY P2 Whether you're a keyboardist, drummer, or other musician whose performance keeps them anchored in one spot, the P2 Ultra-Compact Personal In-Ear Monitor Amplifier was designed specifically for you. A convenient hard-wired personal in-ear control center, the P2's belt pack puts monitor control right at your fingertips, plus it's powerful, lightweight and ultra-easy to use. 3.5 mm Phones Jack You can use your favorite headphones, earbuds or custom-molded professional InEar Monitors (IEMs) with the P2, thanks to the top-mounted, standard 3.5 mm (1/8") stereo output jack. Locking XLR / TRS Input Because your monitor is crucial to your performance, P2's XLR / TRS combo input connector features a locking mechanism to prevent accidental mic cable disconnects. Just press the tab next to the bottom-mounted connector to release the cable at the end of the gig. It is important to note that P2's XLR input accepts balanced line signals taken directly from your mixer, allowing you to control the volume of the onboard amplifier. Dual Mode Operation P2's internal Mono/Stereo switch lets you choose the mode that best fits your needs. When using your mixer’s aux send or any other mono source, move the switch to the Mono position. For connecting to a headphone output or other stereo source, simply set the switch to Stereo and use an XLR-to-TRS or TRS-to-TRS (male to male) cable. Volume Control The P2 features an extremely high-quality level control with on/off switch for dialing in the perfect level every time. Designed for long life and super-smooth performance, this detented control stays where you put it.  

Unit Is EX DEMO SO UNIT HAS BEEN USED AND MAY HAVE SCRATCHES Scaler 12×3 HDBT SC121D-TN is a HDBaseT scaler switcher with 12 video, 6 audio & 2 MIC inputs which can be scaled to VGA/HDMI/HDBaseT outputs simultaneously, and the audio is amplified to 2x20W. It’s controllable via button, IR, RS232 and IP. It supports PoC to power HDBaseT receiver TPHD402PR up to 230ft (70m). Upscale to HDBaseT, HDMI & VGA outputs simultaneously at 1080p. ● HDBaseT output paired with receiver TPHD402PR for 230ft (70m) transmission. ● PoC function, from scaler to receiver. ● 3-level MIC supports various MICs with mixer & level control. ● Built-in 2x20W@4Ω digital amplifier (or 2x10W@8Ω). ● Output display H/V size adjustable. ● Output display position adjustable. ● RS232 call back from receiver. ● Firmware updatable via USB. ● Controllable via buttons, IR, RS232 and IP. Comes With Receiver

Fairy lights String 4m – Cool White - Choose Cable Colour From Back or White cable **POWER LEAD IS REQUIRED FOR THIS PRODUCT please purchase Fairy Light String Power Supply Add instant atmosphere to your restaurant, bar, garden or party! These LED fairy light strings are perfect to put in trees or wrap around pillars and railings. The strong rubber wire is made to last in New Zealand’s outdoor conditions. You can connect up to 17 sets of fairy lights from one power source.   240v40 LED fairy lights on white rubber cablePower Supply Cable AC/DC converterIndoor and Outdoor useRCD recommended for outdoor use

These POWER LEADS are to use with 4m string lights Power leads are sold separately so that it if you want to put several sets together it is not necessary to spend extra money on power leads that are not required.

1.5 metres long
Black rubber
SAA approved plug
Use with 4m STRING LIGHTS on black wire OR white wire – connect 30 x  sets together