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The CAMEO CLMPARFOOT+ universal Multi PAR 4-switch foot pedal gives you optimum control of all CAMEO LED lighting system CLMPAR functions - even without connection to a DMX controller. All the functions can be activated via four solid, non-slip foot switches. Three LEDs are integrated in the compact, solid housing of the Cameo Multi PAR 4-switch foot pedal for visual control of all the functions (mode up, mode down, blackout, sound active, program, colours, full on). The device is connected via a ten-metre, five-pin XLR cable, supplied with the device and is compatible to the following devices: CLMPAR1, CLMPAR2, CLMPAR3 and CLMPACOB1. Features Easy on stage control for CLMPAR1, CLMPAR2, CLMPAR3 & CLMPARCOB1 Functions: black out, full on, sound control, static colours, light 1/2, auto run Rugged metal housing 10 m 5-pin XLR connection cable included Specifications Product type LED Lighting System Accessories Controls CD / USB / SD, Blackout, up, mode, Microphone sensitivity, down Indicators Static colour, sound control, Program selection Connectors 5-pole XLR socket male Width 291mm Height 65mm Depth 103mm Weight 1kg

Portable USB speakerphone, powered by ClearOne’s market leading HD Conference™ audio and optimized for Skype, enhances any web conferencing, unified communications and video conferencing experience in your personal work space and huddle room with crystal-clear audio for business-class performance Crisp, Clear Audio Distributed Echo Cancellation® and noise cancellation along with full-duplex performance and automatic level controls guarantee your conference calls to be natural with unmatched audio clarity without any distractions Multi-device Compatibility CHAT 60 is versatile for use with your PC and mobile phones and your enterprise telephones to experience crystal clear HD Conference audio using yourconvenience device with hands-free comfort Complete Portability Sleek enough for professional office environment, yet rugged enough to toss in your bag and take on the road. Powered through USB, CHAT 60-U is a truly plugand-play compact device. Perfect for use at your desktop, home office, executive office, huddle space or during your travel or home use Advantages Optimized for use with Skype™ – Incoming Skype calls ring on the CHAT 60-U– New call control for Skype with volume up/down and mute control buttons Works on Skype as well as other popular audio applications Hands-free flexibility and comfort Replaces PC speakers and microphone with high quality audio Sleek, compact, and portable design True plug-and-play capability

The CHATAttach 150 can be used with many applications requiring two-way audio (VoIP softphones, web collaboration applications, instant messaging), connected with enterprise phone systems (ad-hoc bridging capabilities allow a USB/analog mix) or simply used as a large loudspeaker for audio playback.  Includes two CHAT150-USB, connecting cables and power supply. The CHATAttach 150 USB connect to PCs for rich, full-duplex audio communications and can be used with VoIP softphones, Web collaboration, instant messaging and any other applications requiring two-way audio. A perfect addition to the office or conference room for greatly enhanced collaboration. Unsurpassed audio clarity ClearOne’s, market-leading, HDConference™ audio technology Proprietary echo and noise cancellation algorithms prevent distracting audio Full-duplex audio means no cutting in and out Automatic gain and level controls adjust mic and speaker levels automatically First-mic priority intelligently focuses mic levels based on who is speaking Adaptive modeling-continuously samples room acoustics for any changes Three built-in microphones array with 360° audio pickup up to 8 feet Large loudspeakers for rich, clear conferencing or audio playback Wideband audio frequency response (20Hz-20kHz) Ease of use Powered solely through laptop USB Simple audio bridging between PC applications and analog telephone Breakout box connection for further connection options (enterprise telephones, video conferencing) Easily manage conference calls with 1 to 6 participants True plug-and-play operation WARRANTY: 2 years from date of purchase

Expand to Attach 150, 160, and 170Includes Cables & Power SupplyUpdate 2x CHAT 150 Devices to CHATAttach Chat Attach Expansion kit, Includes PSU and cabling to join two Chat 150’s, 160’s, 170’s (not included), together.Includes Cables & Power SupplyUpdate 2x CHAT 150 Devices to CHATAttach

VE TF-20 is a compact, energy efficient, soft edge LED accent luminaire that can function as a regular PAR can, while its classic Fresnel style emulates stage and theatrical lighting. Conveniently included barn doors block light from unwanted areas, letting you focus on a particular space or object. Thanks to its CCR (Constant Current Reduction) LED dimming, it works seamlessly with conventional dimmers, and is flicker-free in filmed productions. MET certified, it is designed for mobile and installation applications and it is equally suited for new and retrofit installations via the included track adaptor as it is for mobile use right out of the box using its standard power cord.   Highlights Compact, energy efficient, soft edge LED accent luminaire Constant Current Reduction (CCR) dimming works with conventional dimmers Track adaptor included fits most single and dual circuit tracks Classic Fresnel style gives the feeling of stage and theatrical lighting Included barn doors block excess light from stage and unwanted areas Achieve flicker-free video operation with CCR LED dimming Standard power cord attached for mobile use right out of the box MET certified, perfect for retrofitting and new installations Specifications Light Source: 1 COB LED (warm white) 20 W, (0.5 A), 50,000 hours life expectancy Beam Angle: 24° Field Angle: 40° Illuminance: 1506 lux @ 2 m Input Voltage: 85 to 120 VAC, 50/60 Hz (auto-ranging) Power and Current: 24W, 0.3 A @ 120 V, 50/60 Hz Weight: 2.6 lbs (1.2 kg) Size: 6 x 5.5 x 7.25 in (153.5 x 140 x 184 mm) Approvals: CE, MET Color Temperature: 2700 K CRI: 91 Compatible Track: Type H WHAT'S INCLUDED EVE TF - 20 Track Adapter Barn doors Gel frame

Ovation F-415FC is a 6” Fresnel style fixture that features our advanced RGBAL LED system. The unit projects a bright, beautifully soft field of light from subtle pastels to punchy saturates, and nearly any temperature of white. A motorized zoom with a 27° – 68° field angle allows you to add light where it is needed. Control of the virtual colour wheel, zoom and output can be via DMX or on-board dials. It’s also RDM-enabled to ease installation and offers adjustable PWM for flicker-free use on camera. FEATURES Full Colour LED (RGBAL) Fresnel lighting fixture for theatre, film and production Soft and even field of light Smooth, motorized zoom from 27° to 68° Beautiful 16-bit dimming of master dimmer and individual colours Easy to use on board control of colour, zoom and dimming Virtual Colour wheel with colour matched to popular gel colours Colour Temperature Presets from 2800 K to 6500 K RDM (Remote Device Management) for added flexibility Adjustable PWM (Pulse Width Modulation) to avoid flickering on camera Virtually silent operation for use in studio and theatre applications   SPECIFICATIONS   OPTICAL Light Source: 46 LEDs (10 red, 10 green, 6 blue, 8 amber, 12 lime) 3 to 5 W, (1 A), 50,000 hours life expectancy. Color Temperature (range): 2800 to 6500 K CRI (3200 K): 91 Beam Angle: 14° to 43° Field Angle: 27° to 68° Zoom Angle: 27° to 68° Lumens (27°): 1,877, (68°): 2,815 Illuminance (27°): 915 lux @ 5 m, (68°): 190 lux @ 5 m Selectable PWM: 600 Hz, 1,200 Hz, 2,000 Hz, 4,000 Hz, 6,000 Hz, 25,000 Hz   DYNAMIC EFFECTS Dimmer: Electronic Shutter/Strobe: Electronic Zoom: Motorized Strobe Rate: 0 to 27 Hz Standalone Colour Mixing: Yes Colour  Temperature Presets: Yes Dim Modes: 4 Built-in Automated Programs: Yes   PHYSICAL Dimensions: 15.80 x 11.22 x 9.51 in (401.46 x 285 x 241.65 mm) Weight: 12 lb (5.6 kg) Exterior Colour: Black Housing Material: Aluminum alloy, Aluminum die-cast Accessory Holder/Gel Frame Size: 6.25 in (158.75 mm)   CONNECTIONS Power Connection: Edison (Local) plug to Neutrik powerCON Power Input: Neutrik® powerCON® Power Output: Neutrik® powerCON® Data Connectors: 3- and 5-pin XLR Cable Length (power): 5 ft (1.5 m)   CONTROL Control Protocol: DMX, RDM DMX Channels: 3, 5, 7, 11, 13, 14 or 17 Modes/Personalities: 8 personalities (3, 5, 7, 11, 13, 14, 17, HSV)   ELECTRICAL Input Voltage: 100 to 240 VAC, 50/60 Hz (auto-ranging) Power Linking: 13 units @ 120 V; 22 units @ 208 V; 24 units @ 230 V Power and Current: 124 W, 1.027 A @ 120 V, 60 Hz Power and Current: 124 W, 0.608 A @ 208 V, 60 Hz Power and Current: 126 W, 0.546 A @ 230 V, 50 Hz   CERTIFICATIONS CE, MET IP Rating: IP20, dry location Temperature (Ambient): -4 °F to 113 °F (-20 °C to 45 °C)   WHAT'S INCLUDED Ovation F-415FC Neutrik® powerCON® power cord Gel frame (6.25 in / 158.75 mm accessories)   OPTIONAL ACCESSORIES Professional Clamps: CTC-50HC, CTC-50HCN Neutrik® powerCON® cables 3-pin or 5-pin DMX Cables Color Blending Filters: DF60X1D, DF20D Ovation F6.25” Barndoor

CHAUVET DJ makes creating exhilarating lighting easy with EZLink Par Q4 BT. This 100% wireless quad-colour (RGBA) LED Par fixture is battery-powered and has Bluetooth® wireless technology built in, allowing you to control EZLink Par Q4 BT with the free BTAir app (patent pending) from any smartphone or tablet. No additional hardware needed! Genuine amber LEDs included with quad-colour lights like EZLink Par Q4 BT provide richly vibrant and warm colour mixing or natural-looking colour temperatures. Other convenient control options include the IRC-6 remote and sound-activated or automated programs. EZLink Par Q4 BT fits best in the CHS-40 VIP Gear Bag. FEATURES 100% TRUE wireless, battery-operated, quad-colour (RGBA) LED Par with built-in Bluetooth® wireless technology Control directly from a smart phone or tablet without any additional hardware Convenient, wireless non-DMX control using the IRC-6 remote Generate a broad spectrum of colours and achieve natural-looking colour temperatures with punchy amber LEDs Generate eye-catching effects with sound-activated and automated programs Fits best in the CHS-40 VIP Gear Bag   SPECIFICATIONS DMX Channels: 4 or 8 DMX Connectors: 3-pin XLR Max Unobstructed Distance: 150 ft (45.7 m) Light Source: 4 LEDs (quad-color RGBA) 3 W, (952 mA), 50,000 hours life expectancy Strobe Rate: 0 to 25 Hz PWM Frequency: 1.59kHz Beam Angle: 15° Field Angle: 34° Maximum Run Time: (all on): up to 8 hours(single color): up to 20 hours Recharge Time: 7 hours Operating Frequency: 2.4 GHz Illuminance: 2,826 lux @ 2 m Power Linking: 27 units @ 120 V; 50 units @ 230 V Input Voltage: 100 to 240 VAC, 50/60 Hz (auto-ranging) Power and Current: 26 W, 0.3 A @ 120 V, 60 Hz24 W, 0.2 A @ 230 V, 50 Hz Weight: 2.8 lb (1.3 kg) Size: 5.7 x 5.7 x 5.6 in (145 x 145 x 143 mm) Approvals: CE, FCC Optional Controllers: IRC-6 Bluetooth Version: 4.2 WHAT'S INCLUDED EZLink Par Q4 BT Power cord

Features Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 25 touch-sensitive motorized faders 32 local digitally controlled XMAX mic/line inputs 2 balanced stereo aux inputs 1 stereo tape input (RCA, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses 24 DCAs to control groups of channels 128-channel (64x64) recording over USB Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more User Profiles for managing multiple operators with custom permissions Per channel digital patching from any analog, AVB, USB, or SD Card source DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic HUI emulation mode optimized for ProTools Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android Capture 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console

Limited Time Free NSB16.8 Stagebox 
Description
Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32S is a Series III S 40-channel digital mixing console, recorder, and audio interface in a single enclosure. The mixer features an integrated hardware and software system with a full-colour touchscreen, 33 touch-sensitive, motorised faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound cheque, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music.
The StudioLive 32S boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analogue FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand for hooking up a house music source and a separate stereo recorder. Alternatively, you can wirelessly stream music from a mobile device to the mixer's built-in Bluetooth receiver. Record 40 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more.
Features
At a Glance

40 mixing channels
26 buses
32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs
33 touch-sensitive motorised faders
Dynamic Fat Channel layout allows access to every Fat Channel parameter and aux send via eight Fat Channel encoders with scribble strips
Dual-core FLEX DSP mix engine
286 processors in various form factors
Built-in Bluetooth receiver for wireless music streaming

Powerful Mixing Features

Expandable plug-in processing with ten vintage AEQ and classic compression options on every input channel and bus
Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band AEQ per input channel
High-pass filter, compressor, limiter, output delay, and parametric 6-band AEQ per bus
FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses
16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks
Four static subgroup buses with 1/4" outputs
Four designated effects buses
24 DCAs to control groups of channels
True virtual soundcheck simplifies mix configuration
Enhanced scene management with scenes organised into projects, scene lock, and channel safe
Password-protected user profiles enable restricting access to specific features
Channel scribble strips and input metering

Audio Networking

Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately)
Connect NSB-series stage boxes to add remote analogue inputs and outputs wherever required
Add EarMix 16M personal monitor mixers to give your musicians their own customisable 16-channel monitor mixes
Network multiple StudioLive Series III mixers
Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching

Multichannel Recording

Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder
Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0
Record to SD card, via USB, or both simultaneously for safe, redundant live recording
Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio

DAW Control

Advanced Studio One control integration
MCU emulation mode optimised for Logic Pro
HUI emulation mode optimised for Pro Tools

Complete Software Bundle

UC Surface touch-control for Mac, Windows, and iPad
Capture recording app with virtual soundcheck for Mac and Windows
Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows
QMix-UC personal monitor mix control for iPhone, iPod touch, and Android


Specifications



Software System Requirements
Mac OS X 10.8.5 or Later (64-Bit)Intel Core 2 Duo CPU (Intel Core i3 or Faster Recommended)4 GB RAM (8 GB or More Recommended)Internal or External 7200 rpm Storage Drive with 30 GB Free Disk Space1366 x 768 Minimum Screen ResolutionAvailable USB 2.0 PortInternet ConnectionWindows 7 SP1 Plus Platform Update, Windows 8.1, or Windows 10 (All 32-/64-Bit)Intel Core 2 Duo CPU (Intel Core i3 or Faster Recommended)4 GB RAM (8 GB or More Recommended)Internal or External 7200 rpm Storage Drive with 30 GB Free Disk Space1366 x 768 Minimum Screen ResolutionAvailable USB 2.0 PortInternet ConnectioniOS 10 or LateriPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina Display, iPad (4th Generation), iPad mini, or iPad (3rd Generation)Android 5.0 (Lollipop) or LaterAndroid Smartphone (QMix-UC)Android Tablet (8") with 1024 x 768 Resolution (UC Surface)Minimum System Requirements for UC Surface, QMix-UC, and Studio One


Channels
Mixing Channels: 40Analogue Input Channels: 32


Buses
26


Faders
33


Mic/Line Inputs
16 x 3-Pin XLR Female Mic Input16 x XLR-1/4" TRS Mic/Line Input


Talkback Input
1 x 3-Pin XLR Female


Main/Monitor Out
2 x 3-Pin XLR Male Main Output1 x 3-Pin XLR Male Mono Sum Output2 x 1/4" TRS Monitor Output1 x 1/4" TRS Headphone Output4 x 1/4" TRS Sub Output


AUX Sends
12 x 3-Pin XLR Male FlexMix Aux / Subgroup / Matrix Output4 x 1/4" TRS FlexMix Aux / Subgroup / Matrix Output


AUX Returns
4 x 1/4" TRS (Two Stereo Pairs)


Inserts
None


Digital I/O Options
1 x RJ45 for AVB I/O


2 Trk Master I/O
2 x RCA Coaxial Tape Inputs (One Stereo Pair)2 x RCA Coaxial Tape Outputs (One Stereo Pair)


Stereo Digital I/O
1 x 3-Pin XLR Stereo AES/EBU Output


Word Clock I/O
None


Host Connection
1 x USB 2.0 Type-B


MIDI Ports
None


Control Ports
1 x RJ45 GbE


Lamp Socket
1 x BNC (12 V)


Bluetooth
Built-In Bluetooth Receiver


Bluetooth Version
4.1


AEQ Section
Channel: 4-Band EqualiserOutputs: 6-Band Equalzer


Solo/Mute
Solo and Mute per Channel


Phantom Power
48 VDC (±2 VDC), Switchable per Channel


Internal Signal Processing
Dual-Core FLEX DSP Mix Engine


Sampling Rate
44.1 kHz or 48 kHz


Bit Depth
Internal Processing: 32-Bit Floating PointAD-DA: 24-Bit


Reference Level
0 dBFS = +18 dBu


Latency
1.9 ms (Local Routing, Analogue In to Analogue Out, All Processing Active)


Jitter
<20 ps RMS (20 Hz to 20 kHz)


Jitter Attenuation
>60 dB (1 ns In, 1 ps Out)


Crosstalk
Input to Output: -90 dB (+4 dBu Reference, 20 Hz to 20 kHz, Unweighted)Adjacent Channels: -87 dB (+4 dBu Reference, 20 Hz to 20 kHz, Unweighted)


Dynamic Range
ADC and DAC: 115 dB (A-Weighted, 48 kHz)


Frequency Response
Mic/Line Inputs to Main Output at Unity Gain: 20 Hz to 20 kHz (±0.5 dBu)Headphone Output: 20 Hz to 20 kHz (±0.5 dB)


Maximum Input Level
Mic: +12 dBuLine: +18 dBuTape: +12 dBu (±0.5 dBu)


Maximum Output Level
XLR: +24 dBu (±0.5 dBu)Line: +18 dBu (±0.5 dBu)Tape: +18 dBu (±0.5 dBu)Headphone: 100 mW per Channel at 60-Ohm Load


Gain Control Range
Mic Preamp: 0 to 60 dB (±1 dB)


Input Impedance
Mic: 1 kOhmLine: 10 kOhms


Output Impedance
XLR: 100 OhmsLine: 100 OhmsTape: 100 Ohms


THD
Mic/Line Input to Main Output: <0.005% (+4 dBu, 20 Hz to 20 kHz, Unity Gain, Unweighted)


THD + N
Headphone Output: 0.01% (1 kHz, Maximum Gain, 20 Hz Bandwidth, Unweighted)


Signal-to-Noise Ratio
Mic/Line Input to Main Output: 94 dB (+4 dBu Reference, 20 kHz Bandwidth, Unity Gain, A-Weighted)Headphone Output: 96 dB (1 kHz, Maximum Gain, 20 Hz Bandwidth, Unweighted)


Common Mode Rejection Ratio
Mic Input: 65 dB (1 kHz at Unity Gain)


Ambient Operating Temperature
32 to 104°F / 0 to 40°C


Power Requirements
90 to 230 VAC (±10%), 50/60 Hz, 85 W


Dimensions (W x D x H)
32.4 x 23.0 x 6.5" / 82.2 x 58.3 x 16.5 cm


Weight
37.2 lb / 16.9 kg

Features Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 17 touch-sensitive motorized faders 16 local digitally controlled XMAX mic/line inputs 16 digital channels (AVB, USB, or SD) 2 balanced stereo aux inputs 1 stereo tape input (RCA, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses 24 DCAs to control groups of channels 128-channel (64x64) recording over USB Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more User Profiles for managing multiple operators with custom permissions Per channel digital patching from any analog, AVB, USB, or SD Card source DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic HUI emulation mode optimized for ProTools Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android Capture 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console Small digital mixer. Big power. The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don't let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig. Learn more about what makes the PreSonus FLEX DSP Engine so powerful.     Buy Now The scalable digital mixer. The StudioLive 32SC digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxesto add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software. Learn more about PreSonus AVB Networking.     ​ Superior sound. We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic preamp trim values can also be recalled along with the other settings.   The mobile music recording studio. PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac or Windows computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.   ​ The best music recording software… included. Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SC digital mixers allows you to control preamp levels and more right from the Studio One software console. Press the DAW button on your StudioLive 32SC, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SC, so you can start recording right out of the box.     Remote control your digital mixer from anywhere—on any device. PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32SC digital mixer, remotely controlling your mix from anywhere just got easier. Learn more about the complete StudioLive Series III Software Library.     The bus that takes you everywhere. Everyone has a unique mixing style, so PreSonus designed the StudioLive 32SC to be configured to work the way you like to mix. The 16 FlexMixes in the StudioLive 32SC digital mixer can be individually configured to function as aux buses, subgroups, or matrix mixes. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 32SC to fit your needs—even when those needs change.     The digital mixer built to record music. With 128 (64x64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SC for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Ten vintage EQ and classic compressor Fat Channel plug-in models are included and can be used onboard your mixer, as well as within Studio One. And when you’re ready for more signal processing options, PreSonus offers four Fat Channel plug-in collectionswith 15 additional models. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording.   ​ A complete networked solution. StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. The StudioLive 32SC’s integrated AVB networking allows you to expand your mixer as your needs grow. Add NSB-series stage boxes to add analog inputs and outputs. Route audio to EarMix 16M personal monitor mixers for customized mixes on stage. With powerful plug-in processing, advanced recording features, and flexible mix buses, the StudioLive 32SC is the best digital mixer for mobile live sound and recording music.     Get Connected.   Three year warranty—for allSeries III and III S mixers When we introduced the StudioLive Series III S mixers, we upgraded all Series III mixer warranty programs to three years as well, including both console and rack mixers. Even if you bought yours two and a half years ago, you're covered. We take our build quality seriously, and if anything goes wrong with your mixer in your first three years of ownership (assuming you don't throw it in a swamp or anything like that) we'll repair it. ​ Includes Studio Magic Plug-in Suite. This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.     Read more about the Studio Magic Plug-in Suite Content and terms of the Studio Magic Plug-in Suite are subject to change.

With the 64-channel StudioLive® 64S and a full suite of integrated software, PreSonus® delivers the most powerful and flexible digital console available for installed sound, touring, and recording - and the best value. Powered by the PreSonus quad-core FLEX DSP Engine, no other mixer can match its 128-channel (64x64) USB recording, 76 mixing channels, 43 buses, and an astounding 526 processors. Features such as password-protected user profiles for restricting feature access and mixer scenes organized by project, make the StudioLive 64S ideal for installed sound. Thanks to built-in AVB networking, the StudioLive 64S integrates with stage boxes, personal monitor mixers, switches, and more. Managing 76 total inputs is easy with 32 FlexMixes and 24 DCA groups. The Fat Channel processing section offers expandable plug-ins with vintage-style EQ and compression options on every channel and output bus.
Computer System Requirements





Features


The most powerful and flexible digital console available for installed sound, touring, and recording with quad-core FLEX DSP Engine powering 526 simultaneous processors
Fully recallable with touch-sensitive motorized faders
Built-in AVB networking to create a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, other Studiolive Series III mixers, and the SW5E AVB switch
Built-in 128-channel (64x64) USB interface - the most of any digital mixer on the market
Onboard multitrack SD Card recorder with true Virtual Soundcheck
32 FlexMixes (aux mixes, subgroups, or matrix mixes)
FLEX FX multieffects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses
Complete professional solution: suite of integrated software, including Studio One® Artist DAW









 













Highlights & Specs






Remote Control Your Digital Mixer From Anywhere—On Any Device.
Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 64S digital mixer, remotely controlling your mix from anywhere just got easier. Mix wirelessly on your table using UC Surface touch-control software. Control your monitor mixes from your phone with QMix®-UC.













Superior Sound
In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity.













The FlexMix Difference.
Highly configurable, the StudioLive 64S provides 16 FlexMixes that can be used as aux buses, subgroups, or matrix mixes. Four dedicated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. You also get DCAs to control groups of channels easily.













A Complete Networked Solution.
StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 64S to fit your needs—even when those needs change. Designed to enhance each other, these products are at the forefront of AVB networking technology.













One-Click Recording
The StudioLive 64S is tightly integrated with PreSonus® Capture® live-recording software. Capture is designed to make recording easy by instantly configuring with your mixer and allowing you to record every channel plus the main mix with a single mouse click. Even better, your Capture sessions open natively in Studio One!













World-Class Recording Software Included
Take your Capture recordings to the next level with Studio One Artist. Open your multitrack sessions natively in Studio One to start mixing! Studio One’s intuitive drag-and-drop workflow makes recording, mixing, and producing fast and fun.















Microphone Preamp





Total Harmonic Distortion
<0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted


Signal To Noise Ratio
94 dB (Ref = +4 dB, 20 kHz BW, Unity Gain, A-Weighted)


Common Mode Rejection Ratio
65 dB (1 kHz at Unity Gain)


Gain Control Range
0 dB to 60 dB (±1 dB)


Microphone Preamp Maximum Input Level
=+12 dBu (Unity Gain)


Phantom Power
+48 VDC (±2 VDC)


Frequency Response
20-20 kHz (±0.5 dBu at Unity Gain)


Microphone Preamp Input Impedance
1 kΩ








Line Inputs





Line Inputs Maximum Level
=+18 dBu


Line Inputs Frequency Response
20-20 kHz (±0.5 dBu at Unity Gain)


Line Inputs Total Harmonic Distortion
<0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted


Line Inputs Impedance
10 kΩ








Headphone Outputs





Headphone Outputs Maximum Output
100 mW/ch. @ 60Ω load


Frequency Response
20 Hz to 20 kHz, +/-0.5 dB


Total Harmonic Distortion
0.01%, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted








Digital Audio





Digital Audio Dynamic Range
ADC Dynamic Range: 115 dB (A-Weighted, 48 kHz), DAC Dynamic Range: 115 dB (A-Weighted, 48 kHz)


Digital Audio Bit Depth
24


Supported Sample Rates
48 kHz, 44.1 kHz








Electronics





Voltage
100-120V


Headphone Jack
1/4" TRS Active Stereo








Miscellaneous





Connection Type
IEC

Designed to work seamlessly with PreSonus StudioLive Series III console/recorders, the PreSonus NSB 8.8 - 8x8 AVB-Networked Stage Box sets up quickly and easily to route signals from stage to mixer over an AVB network. With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 8.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC.
Making connections—lots of them.A stage box is all about analog connectivity, and the NSB 8.8 gives you plenty. You get eight locking combo mic/line inputs equipped with our famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios. All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations.
What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols. For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.
Tough enough for the most demanding tours.Even if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So we built the NSB 8.8 into a rugged steel chassis designed to survive the rigors of the road, and we equipped it with sturdy handles. Its classic stage box form factor allows the NSB 8.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 8.8 also is compatible with stage pockets from Ace Backstage.
Everything you need...“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.
With Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning.
Stay in the PocketThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.
One PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor.
Features

Analogue Input/Output
Locking, remote controllable combo mic/line inputs
8 remote-controllable XMAX preamps
Gain compensation for shared inputs
8 locking XLR line outputs
Metres, Controls, and Processing
Mute All button
+48V indicators
Easy setup and control from StudioLive Series III consoles and UC Surface
Digital
16x8 AVB (8 direct input channels + 8 gain-compensated input channels)
2 AVB ports with locking XLR Ethernet jacks
Actively Integrated Software
Easy setup and control from PreSonus UC Surface touch control software for Mac, Windows, iPad, and Android, available free from Apple App Store and Google Play
Power
Locking IEC power jack
Physical
Rugged stage box enclosure
Optional rack ears
Compatible with stage pockets from Ace Backstage



Specifications



Mi​crophone Preamplifier
 


Input Type
XLR Female, balanced


Frequency Response to Main Output (at unity gain)
20-20 kHz, ±0.5 dBu


Input Impedance
1 kΩ


THD to Main Output
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd


S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
94 dB


Common Mode Rejection Ratio (1 kHz at unity gain)
65 dB


Gain Control Range (±1 dB)
0 dB to +60 dB


Maximum Input Level (unity gain)
+12 dBu


Phantom Power (±2 VDC)
48 VDC, switchable per channel


Line Inputs
 


Type
¼” TRS Female, balanced


Frequency Response to Main Output (at unity gain)
20-20 kHz, ±0.5 dBu


Input Impedance
10 kΩ


THD to Main Output
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd


S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
94 dB


Maximum Input Level
+18 dBu


XLR Outputs
 


Type
XLR Male, balanced


Maximum Output Level
+24 dBu, ±0.5 dBu


Output Impedance
100Ω


Digital Audio
 


ADC Dynamic Range
115 dB (A-wtd, 48 kHz)


DAC Dynamic Range
115 dB (A-wtd, 48 kHz)


AVB Audio Network Ports
Locking XLR Ethernet


Sampling Rate
48 kHz


Power
 


Connector
Locking IEC


Input-Voltage Range
90 to 230 VAC (±10%)


Physical
 


Height
132 mm


Width
424 mm


Depth
114 mm


Weight
2.4 kg

Features 16x8 network stage box for StudioLive Series III console mixers 16 digitally controlled XMAX mic/line inputs with gain compensation for shared streams 8 line outputs Easy configuration from StudioLive Series III console mixers and UC Surface Built-in 2-port AVB switch with locking Ethernet connections for easy point-to-point and daisy-chain network configurations Rugged all-metal stage box enclosure Optional rack ears Inputs and outputs wherever you need them. The PreSonus® NSB 16.8 networked stage box lets you put analog I/O for your StudioLive® Series III digital mixer wherever you need it. Equipped with 16 digitally controlled XMAX mic preamps, 16 balanced line level inputs and 8 analog outputs, the NSB 16.8 integrates seamlessly into StudioLive Series III digital mixers with a single Ethernet connection. Remote control input trims, phantom power, and more, directly from your StudioLive Series III console or from UC Surface remote mixing software on your tablet or laptop.          Powerful connectivity that’s designed to be shared. The NSB 16.8 networked stage box is loaded with 16 versatile locking combo jacks. Connect your microphones to the digitally controlled XMAX preamps or use the balanced ¼” TRS inputs to connect your line level devices—the NSB 16.8 can handle it all. The inputs can be sent to any StudioLive Series III digital mixer on the network, and thanks to gain compensation, every mixer gets individual gain control without affecting the front-of-house mix.     ​ Rugged stage box, flexible installation. PreSonus built the NSB 16.8 inside a rugged steel chassis with sturdy handles designed to survive the rigors of the most demanding tours. The NSB 8.8 is also install-friendly: Just remove the handles and attach the optional rackmount kit, and your NSB 8.8 can be racked in your studio or backstage. For permanent installations, the NSB 8.8 is also compatible with stage pockets from Ace Backstage.     A complete networked solution. StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. The NSB 16.8 can be used alone or with many other NSB-series stage boxes to add remote audio to one StudioLive Series III digital mixer or to multiple mixers on the same network. For StudioLive Series III mixers that have limited onboard analog I/O, the NSB 16.8 provides a simple expansion to a full 32- or 64-channel mixing system.

Features Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 17 touch-sensitive motorized faders 16 local digitally controlled XMAX mic/line inputs 16 digital channels (AVB, USB, or SD) 2 balanced stereo aux inputs 1 stereo tape input (RCA, Bluetooth, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses 24 DCAs to control groups of channels 128-channel (64x64) recording over USB Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more User Profiles for managing multiple operators with custom permissions Per channel digital patching from any analog, AVB, USB, or SD Card source DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic HUI emulation mode optimized for ProTools Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android Capture 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console

Professional, networked personal monitoring.
The PreSonus EarMix 16M is an advanced 16-channel personal monitor mixer designed to provide a high-quality, expandable, networked monitoring solution for stage, installed sound systems, and studio recording. We gave the EarMix 16M professional sound quality, easy-to-use mixing features, and a high-performance headphone amplifier, to ensure you have the monitoring tools you need for any situation.
 
 
 

 
Buy Now
 






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Your mix, your way.
Personal monitoring should be just that: personalized for whoever is listening. The EarMix 16M provides each channel with a 3-Band EQ and a limiter. This processing is also available for the main bus, allowing each musician to sculpt a mix that works best for them. Channels can be easily grouped, simplifying complex mixes. Once you’ve perfected your monitor mix, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally.
 






Loud and clear.

High-quality monitoring is crucial for artists to deliver their best performance, so we’ve given the EarMix 16M personal monitor mixer a loud, clear headphone amplifier that can drive low-impedance devices such as professional-caliber in-ear-monitors. We started with a top of the line digital-to-analog converter for wide dynamic range and low signal-to-noise ratio. We took special care in the amplifier design to deliver excellent sonic performance, whether you’re using custom-molded in-ears or your favorite pair of studio headphones.
 













PoE: Remote power for networked devices.
The EarMix 16M can be powered with its included external power supply or over the same Ethernet connection that’s used for AVB network audio, thanks to Power over Ethernet (PoE). With PoE, a single cable delivers both digital audio and electrical power. This allows you to put your EarMix 16M personal monitor mixer anywhere you need it. While compatible with any AVB switch that provides PoE, PreSonus’ SW5E five-port AVB switch enables you to connect multiple EarMix 16Ms to the AVB network and provides PoE.
 






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Uniquely versatile personal monitoring.
For StudioLive Series III digital mixing systems, the EarMix 16M is a natural fit that adds personal monitor mixers wherever you need them, be it on stage, in the studio, or in the broadcast booth. When combined with the StudioLive 16R, the EarMix 16M becomes a complete personal monitoring solution that can be added to any mixing system. Simply connect the outputs of your installed mixer to the StudioLive 16R and route them to your EarMix 16M personal monitoring mixers over AVB. The StudioLive 16R lets you add independent reverb, compression and more to your monitoring system. Need more than 16 inputs? Combine the EarMix 16M with a StudioLive 24R or StudioLive 32R and now you can create independent buses that can be routed to each EarMix 16M on the network.
Learn more about integrating an EarMix 16M personal monitor system.
 







A complete networked solution.
The StudioLive Series III ecosystem of networked products are at the forefront of AVB networking technology. Designed to complement each other, the ecosystem is easily expanded and quickly configured. The EarMix 16M adds simple personal monitoring that can be located anywhere on the network. Whether used within a complete StudioLive Series III system, or employed as a standalone personal monitoring system, the EarMix 16M delivers powerful personal monitoring features with an intuitive workflow.
 

Technical Specifications






Headphone Output

 


Type
¼” TRS Female, active stereo


Maximum Output
150 mW/ch. @ 60Ω load


Frequency Response
20 Hz – 20 kHz (± 0.05 dB)


THD+N
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd







Line Outputs

 


Type
¼” TRS Female, balanced


Maximum Output Level
+18 dBu, ±0.5 dBu


Output Impedance
100Ω







Digital Audio

 


DAC Dynamic Range
115 dB (A-wtd, 48 kHz)


AVB Audio Network Ports
RJ45


Sampling Rate
48 kHz, 44.1 kHz









Power

 


External Power Supply
24 VDC


PoE Power
802.3at Type 1







Physical

 


Height
1.8” (46 mm)


Width
9.4” (239 mm)


Depth
7.6” (193 mm)


Weight
1.2 lbs (0.5 kg)

Features Powered by the new single-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 18 input-channel digital rack mixer 16 local digitally controlled XMAX mic/line inputs 2 FLEX FX returns 10 mix buses 6 FlexMixes (Aux, Subgroup, Matrix) 2 dedicated FLEX FX buses Stereo Main bus 130 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses 6 DCAs to control groups of channels 36-channel (18x18) recording over USB Onboard stereo SD recorder with true Virtual Soundcheck mode AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more Monitor Mix and Stage Box Mode for use with StudioLive Series III console mixers Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android Capture 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console

Mount your NSB 16.8 securely to any standard 19'' Rack Unit. Comes with Cat6 patch cables to bring your RJ45 connections to the front of the unit for easy access.  Sturdy metal rack ear mounting kit for one (1) PreSonus NSB 16.8  Installed Size = 19 x 7 in (4U) *NSB 16.8 Not Included

This highly professional 2-way loudspeaker is designed for absolute, long-term reliability. With its multifunctional bass reflex cabinet as a full range speaker, satellite and ground monitor, it is suited to mobile and fixed PA systems. The Stinger® 12 G3 provides 400 watts of continuous power; the maximum sound pressure level is 125 dB. Its specially developed 12" woofer and the BMS HF driver achieve a powerful bass reproduction and fresh natural highs. The wave guide of the tweeter has been developed using the Boundary Element Method (BEM), a numerical simulation of the sound radiation and dispersion. It reduces reflections from the floor and ceiling and prevents sidelobe levels and thus achieves a controlled and homogeneous dispersion. The Stinger® 12 G3 is designed as a real all-round workhorse. The cabinet is made from robust birch plywood and offers an exceptional stability and durability thanks to its extremely durable polyurea coating. The features include a steel grille, a Dual-Tilt stand attachment, flight points and ergonomic handles. The Stinger® 12 G3 is an affordable solution for professional PA applications; extensive accessories support use on stage and in fixed installations. Product number: LDEB122G3 Product type: PA loudspeaker Type: passive Low/mid driver dimensions: 12" Woofer size: 304.8mm Woofer magnet: Ferrite Woofer brand: Custom-made Woofer voice coil: 2.5" Woofer voice coil (mm): 63.5mm Horn: BEM optimized CD Horn HF driver dimensions: 1" HF Driver Size: 25.4mm HF driver magnet: Ferrite HF driver brand: BMS HF driver voice coil: 1" HF Driver Voice Coil: 25.4mm Dispersion (H x V): 90 x 50° Load rating (RMS): 400W Peak power: 800W Frequency response: 58 - 20000Hz SPL (1W/1m): 99dB Max. SPL: 125dB Impedance: 8Ohm(s) Protection circuits: HF Driver Loudspeaker inputs: 1 Speaker input connections: Speakon compatible Loudspeaker outputs: 1 Speaker output connections: Speakon compatible Speakers per amplifier channel (DSP44/45K): 3 Cabinet material: 15 mm Plywood Cabinet surface: Polyurea Cabinet construction: vented Monitor angle: 54° Width: 390mm Height: 627mm Depth: 377mm Weight: 19,4kg

129 DB SPL MAX   350 W AES POWER RATING   55 – 20000 HZ FREQUENCY RANGE   1” COMPRESSION DRIVER, 12” WOOFER HI RESOLUTION TRANSDUCERS The full-range passive two-way RCF E-MAX series has been specifically designed as club systems for entertainment, to achieve the best nearfield quality, vocal coherence and a stable tonal balance even at high volume. The heavy-duty speaker cabinet is made of plywood coated with black textured acrylic paint. Featuring a 12” woofer with a 2.5” voice and a 1.0” compression driver with 1.4” voice coil. The LICC crossover design includes an electronic protection on high-frequency device. The rotatable 90°x70° horn and the available mounting accessories allow installation of the loudspeaker either vertically or horizontally in any environment and architectural constraint.   DESIGNED TO PERFORM The RCF E Max series and its components are designed inside RCF’s laboratories and feature superior transducers. Equipped with a rotatable horn with 90° x 70° dispersion pattern, E MAX 3112 boasts a 12” woofer and 1” compression driver, and delivers a maximum SPL of 129 dB over a frequency range of 55 Hz – 20 kHz, with a total power handling of 350 W RMS. PERFECTLY TUNED CROSSOVER The E MAX Series features a custom designed mid-freq shaping for close distance listening on a perfectly tuned crossover to ensure the best frequency and phase response. The LICC crossover design includes electronic protection on high-frequency device. CABINET & MECHANICS All E Max Series cabinets are built in heavy-duty birch plywood coated with black textured epoxy. A sturdy black metal grille protects the front, and an acoustically transparent sound foam backing on the inside of the grille ensures protection from dust and humidity. The base of each speaker includes a robust steel pole socket for mounting on a stand or a subwoofer pole. Included are rigging points to fly the speakers for maximum architectural freedom on any installation. Threaded inserts are provided for optional mounting hardware in Installed Sound Applications. SPECIFICATIONS Acoustical specifications   FREQUENCY RESPONSE (-10DB): 55 Hz ÷ 20000 Hz   MAX SPL @ 1M: 129 dB   HORIZONTAL COVERAGE ANGLE: 90°   VERTICAL COVERAGE ANGLE: 70°   DIRECTIVITY INDEX Q: 11   SYSTEM SENSITIVITY: 98 dB Power section   NOMINAL IMPEDANCE (OHM): 8 ohm   POWER HANDLING: 350 W RMS   PEAK POWER HANDLING: 1400 W PEAK   RECOMMENDED AMPLIFIER: 700 W   PROTECTIONS: ACTIVE MOSFET   CROSSOVER FREQUENCIES: 1800 Hz Transducers   COMPRESSION DRIVER: 1.0'' neo, 1.5'' v.c   NOMINAL IMPEDANCE (OHM): 8 ohm   INPUT POWER RATING: 50 W AES, 100 W PEAK   SENSITIVITY (DB, 1W @ 1M): 106 dB, 1W @ 1m   WOOFER: 12'', 2.5'' v.c   NOMINAL IMPEDANCE (OHM): 8 ohm   INPUT POWER RATING: 300 W AES, 600 W PEAK   SENSITIVITY (DB, 1W @ 1M): 98 dB, 1W @ 1m Input/Output section   INPUT CONNECTORS: Speakon® NL4   OUTPUT CONNECTORS: Speakon® NL4 Standard compliance   CE MARKING: Yes Physical specifications   CABINET/CASE MATERIAL: Plywood   HARDWARE: 17 x M10 2 x M8   HANDLES: 1 Top   POLE MOUNT/CAP: Yes   GRILLE: Steel   COLOR: Black Size   HEIGHT: 614 mm / 24.17 inches   WIDTH: 381 mm / 15 inches   DEPTH: 422 mm / 16.61 inches   WEIGHT: 22 kg / 48.5 lbs Shipping informations   PACKAGE HEIGHT: 684 mm / 26.93 inches   PACKAGE WIDTH: 449 mm / 17.68 inches   PACKAGE DEPTH: 493 mm / 19.41 inches   PACKAGE WEIGHT: 26 kg / 57.32 lbs

Cumulus is an event-ready, low-lying fog machine that creates thick clouds that hug the floor without the need for dry ice. The onboard ultrasonic agitator converts distilled water into a thin mist. The unit’s fast heat up time allows for quick operation and fog on demand. It’s rugged flight case makes transportation a breeze and locking casters prevent accidental rollaways. Cumulus can be controlled with the on board digital display or DMX.
FEATURES

Professional low-lying fog machine creates thick clouds that hug the floor
Continuous operation produces fog on demand
Ultrasonic agitator converts distilled water into a thin mist
Fast heat up time allows for quick operation
Rugged flight case makes transportation a breeze
Control via an board digital display or DMX
Locking casters prevent an accidental rollaway

 
SPECIFICATIONS

DMX Channels: 2
DMX Connectors: 3- and 5-pin XLR
Heat-Up Time: 3 min
Input Voltage: 120 VAC, 60 Hz or 230 VAC, 50 Hz
Power and Current: 970 W, 8 A @ 120 V, 60 Hz970 W, 4 A @ 230 V, 50 Hz
Weight: 58.8 lb (26.7 kg)
Size: 25 x 16 x 18 in (625 x 409 x 453 mm)
Approvals: CE
Tank Capacity: Fog Fluid Tank Capacity: .9 gal (3.25 l)Water Tank Capacity: 2 gal (7.6 l)
Fog Fluid Consumption: 80 ml/min
Water Consumption: 930 ml/min
Compatible Fluids: HFG

  





 

 

Cloud 9 is an impressive, low-lying fogger that creates thick, cloud-like effects with a high-impact output ideal for use on large-scale stages, theatres, live performances and theme parks. The robust unit has a best in class heat-up time of 3 minutes and no dry ice or CO2 is needed, which means no special licensing/training is required. Because it works without a special coolant or compressor, only water and fog fluid is needed for continuous output. The powerful unit weighs in at 121.3 lb (55 kg)  and is equipped with several handy transport features such as its road case housing, metal handles and wheels to easily glide across any stage. Control it on the LCD display or via DMX. FEATURES Professional fogger gives high-impact low-lying fog effect on stage or in ballrooms Continuous operation produces fog to cover 3,230 ft2 (300 m2) area Ultrasonic agitator combines distilled water with fog to produce low-lying fog effect Ships in rugged flight case with locking casters with hinged top cover to allow for operation even when closed Control via on board digital display or DMX Integrated water drain system makes cleanup fast and easy Works with fog fluid, haze fluid, or quick-dissipating fluid for desired effect Use without dry ice or CO2, so no special licensing/training required   SPECIFICATIONS DYNAMIC EFFECTS Output: 15,000 cfm Low Fluid Shutdown: Yes HDF- Best overall performance for a medium to large coverage area. Fog dissipates after lifting into the air. PHF- Great dual-purpose effect. Good coverage area. Fog lifts into the air to become haze.   CONSTRUCTION / PHYSICAL Dimensions: 33.85 x 19.29 x 24.80 in (860 x 490 x 630 mm) Output Nozzle (outer diameter): 121 mm Hose Length (fully extended): 2.44 m Weight: 121.3 lb (55.8 kg) Exterior Color: Black Fluid Tank Capacity: 0.92 gal (3.5 l) Water tank Capacity: 5.3 gal (20 l) Fluid Consumption: 29 ml/min (0.75 gal/hour) Water Consumption (distilled): 165 ml/min (2.62 gal/hour) Maximum Run Time: 2 hours max runtime @ 100% output   CONNECTIONS Power Connection: Edison plug to Seetronic Powerkon IP65 Power Input: Seetronic Powerkon IP65 (2x 120 V, 1x 230 V) Data Connectors: 3- and 5-pin XLR Cable Length (power): 5 ft (1.5 m)   CONTROL Control Protocol: DMX, DMX Channels: 2 Modes/Personalities: 1 personalities (2) On-Board Control: Yes   ELECTRICAL Input Voltage: 120 VAC, 60 Hz or 230 VAC, 50 Hz Power and Current (input A): 1000 W, 8.36 A @ 120 V, 60 Hz (120 V version) Power and Current (input B): 1130 W, 9.40 A @ 120 V, 60 Hz (120 V version) Power and Current: 2,600 W, 11.3 A @ 230 V, 50 Hz (230 V version) Heat-up Time: 3 min Breaker Size: 15 A (Input A, 120 V version) Breaker Size: 20 A (230 V version)   CERTIFICATIONS / QUALIFICATIONS CE, MET IP Rating: IP20, dry location Temperature (Ambient): -4 °F to 113 °F (-20 °C to 45 °C)   WHAT'S INCLUDED Cloud 9 1 Seetronic Powerkon IP65 Directional hose and hose clamp Overflow polyurethane tubing, 8.5 mm, 3ft (0.9 m)   REQUIRED ACCESSORIES PHF HDF   OPTIONAL ACCESSORIES Neutrik powerCON TRUE1 cables DMX Cables